It was the first warm and sunny day, after a cold and cloudy spring: I took
a long and leisurely walk with Father Payne down a valley among woods, of
which Father Payne was very fond. "Almost precipitous for Northamptonshire,
eh?" he used to say. I was very full of a book I had been reading, but I
could not get him to talk. He made vague and foolish replies, and said
several times, "I shall have to think that over, you know," which was, I
well knew, a polite intimation that he was not in a mood for talk. But I
persisted, and at last he said, "Hang it, you know, I'm not attending--I'm
very sorry--it isn't your fault--but there's such a lot going on
everywhere." He quoted a verse of _The Shropshire Lad_, of which he
was very fond:
"'Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more'";
adding, "That's the only instance I know of a subtraction sum made into
perfect poetry--but it's the other way round, worse luck!
"And _add_ to seventy springs a score,
_That_ only leaves me forty more!"
The birds were singing very sweetly in the copses as we passed--"That isn't
art, I believe," said Father Payne. "It's only the reproductive instinct, I
am told! I wish it took such an artistic form in my beloved brothers in the
Lord! There," he added, stopping and speaking in a low tone; "don't
move--there's a cock-wren singing his love-song--you can see his wings
quivering." There followed a little tremolo, with four or five emphatic
notes for a finish. "Now, if you listen, you'll hear the next wren answer
him!" said Father Payne. In a moment the same little song came like an echo
from a bush a few yards away. "The wren sings in stricter time than any
bird but the cuckoo," said Father Payne--"four quavers to a bar. That's
very important! Those two ridiculous creatures will go on doing that half
the morning. They are so excited that they build sham nests, you know,
about now--quite useless piles of twigs and moss, not intended for eggs,
just to show what they can do. But that little song! It has all the passion
of the old chivalry in it--it is only to say, 'My Dulcinea is prettier,
sweeter, brighter-eyed than yours!' and the other says, 'You wait till I
can get at you, and then we will see!' If they were two old knights, they
would fight to the death over it, till the world had lost a brave man, and
one of the Dulcineas was a hapless widow, and nothing proved. That's the
sort of thing that men admire, full of fine sentiment. Why can't we leave
each other alone? Why does loving one person make you want to fight
another? Just look at that wren: he's as full of joy and pride as he can
hold: look at the angle at which he holds his tail: he feels the lord of
the world, sure enough!"
Public-domain text, read in full here on John Shaqi.
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