American fiction -- 20th century; Detective and mystery stories; Long Island (N.Y.) -- Fiction; Murder -- Investigation -- Fiction
"It was this way," and Beatrice looked piteously into his kind eyes.
"Mr. Wadsworth asked me that night to marry him. We were in the Drawing
Room, as you know. I wouldn't say yes, for I still had a faint hope of
winning Eric. It was absurd for me to think it, but I was desperate.
After Mr. Wadsworth left me, I sat a moment in the Drawing Room, and
then I resolved to go to Eric, by the secret passage, of which only he
and I knew, and beg him to put Joyce away and take me. I say this
without shame, for I was--and am, still, so madly in love with him, that
I had no shame regarding it, and would have suffered any ignominy or
humiliation to win him. I went through that small space; it is not
really secret, but no one has ever noticed it, and I went through to the
studio, and stepping in the room, on the little balcony, I saw Eric
below me, gazing at the etching of Natalie with an adoring look. He bent
down and kissed the picture, and then I descended the stairs and spoke
to him. I told him that Natalie loved Barry and hated him. I urged him
to divorce Joyce and let her marry Eugene Courtenay and I begged him to
marry me. He laughed at me! I shall never forget that laugh! But that
wasn't why I killed him. It was because he turned again to that picture
of Natalie and into his face came a look that I had never seen there. A
look of love such as I had never been able to call forth on his face, a
worshipping passion that transcended all love I had ever dreamed of. And
that he felt for a little girl who hated him. Jealousy maddened me, and
snatching up an etching tool I marred the wax beyond recognition. He
turned on me, his face livid with rage. The contrast,--the look of love
he had for the girl, the look of venomous hate he gave me, bereft me of
my senses. No, I do not mean I did not know what I was doing,--I did
know. I fully meant at that moment to kill him, and then to kill myself,
that we might at least die together. I should not have thought of
killing him if I hadn't chanced to have that tool in my hand. Nor should
I have wanted to kill him but for his scorn of me and his love for her.
The two together drove me wild, and I stabbed him in a moment of fierce
passion that was love, not hate. Then, as I was about to draw forth the
needle and stab myself, I saw that he was not dead. He looked at me, and
I couldn't say it was with hatred. I think--I honestly think--that he
gloried in my deed,--you cannot understand,--it is a strange idea, but I
think he realised at last the depth of my love and appreciated it.
Anyway, I read that in his face, and I couldn't bring myself to leave a
world that still held him. I didn't dare remove the needle, lest it
bring about his death,--I didn't dare remain and be found there with him.
My mind fairly flew. I thought so fast and so clearly, I concluded to
escape by the panel and return quickly through the hall and thus coming
upon him, apparently innocently, save his life."
Public-domain text, read in full here on John Shaqi.
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