American fiction -- 20th century; Detective and mystery stories; Long Island (N.Y.) -- Fiction; Murder -- Investigation -- Fiction
"This way. You know, I insisted on a full description of her dress. When
I found it was of full pattern and made of an opaque material, I
understood. You see, if a message is written with ink, and if the paper
is slipped, unfolded, into a moderately thin envelope, the writing can
be read with ease in the dark by holding an electric pocket flashlight
behind the envelope. Orienta, the room being darkened, drew the loose
folds of her gown over her head, and thus shielded, took a little
flashlight from her pocket, read them all, by its aid, then returning
the light to her pocket, remembered the questions and spoke them out,
both with and without a light. The second time, I believe, she read the
first ones in the dark and the others in the light. There were no
signatures, but she had learned each one's hand-writing from the first
lot. The thing is simple, and is the most mystifying of all sealed paper
readings."
"Will it always work?" asked Roberts, greatly interested.
"In total darkness, yes. Go into a dark closet and try it. Of course,
Orienta's drapery served to aid her and also to conceal the light from
her audience."
"And all the answers she made up,--or Beatrice had told her," said
Natalie, thoughtfully.
"Yes," said Ford. "And now I must go. I shall hope to meet you all again
some day, and if I can tell you anything more you care to learn about
these make-believe wizards, I shall be glad to do so."
He went away, and Barry and Natalie went off by themselves, to rejoice
in the fact that all veils of suspicion were lifted from them and that
they had long years ahead to help one another to forget the past and
make a radiant, happy future.
Joyce had a quiet knowledge that some time in the coming years she, too,
would again know happiness, and all united in a sad pity for the
beautiful but misguided woman whose hand wrought the tragedy of
Faulkner's Folly.
THE END
Transcriber's Notes
--Copyright notice provided as in the original--this e-text is public
domain in the country of publication.
--In the text versions, delimited italics text in _underscores_ (the
HTML version reproduces the font form of the printed book.)
--Silently corrected palpable typos; left non-standard spellings and
dialect unchanged.
Public-domain text, read in full here on John Shaqi.
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