American fiction -- 20th century; Detective and mystery stories; Long Island (N.Y.) -- Fiction; Murder -- Investigation -- Fiction
"Not the least. We sat in a row, and she sat facing us, fully eight feet
away. And what could a confederate do? I handed her the envelopes,--she
gave them back to me,--intact. Not one of us moved. When it was dark, her
voice proved she was in her chair, and when I flashed on the light
suddenly, there she was, without a change of posture, holding the
envelopes exactly as I had given them to her. I tell you she's the real
thing. I've read up on the trickery business, and all the books say that
while there is lots of fraud, there is also a certain amount of
telepathy or clairvoyance or whatever you call it, that's true. And
that's her sort."
"Well, who is the man? Did she tell you?"
"No, she didn't know. But I know."
"Who, then?"
"Eugene Courtenay."
"What?"
"Of course it is. I've had him in the back of my head for some time, but
I couldn't get a peg to hang a clue on. Now, I see how he could have
done it. He did do it, just as the lady said. He slipped in, stabbed his
man, turned off the light, and--slipped out again, past Mrs. Stannard."
"Why didn't she know it?"
"She did know it! Don't you see? Those two are in love. They wanted
Stannard out of the way. But I don't think there was collusion. I think
it was this way. You know, it is history that Mrs. Stannard and
Courtenay were alone in the Billiard Room. Of course he was making love
to her, and bemoaning the fact of Stannard's existence. Now, either he
went from her into the studio, and she knew it, or else, he went away,
as they say, and returned, through the Billiard Room--and she didn't know
it."
"How could she help seeing him?"
"Oh, say she was crying,--or had buried her face in a sofa cushion,--or
was sitting before the fire and he passed behind her. But admit that he
_could_ have gone through that room unknown to her,--which, of course, he
could. Well, he goes in, and, later, in the dark, he goes out the same
way. I don't know about her knowledge of any part of this performance,
but I think she knew nothing of it, or she wouldn't have engaged the
occult lady."
"She did that to clear herself."
"Yes, and Miss Vernon, too. But when the Priestess, as they call her,
spoke of a tall, dark man, with a beard, Mrs. Stannard was scared to
death and wanted it all called off."
"A tall man, with a beard?"
"Yes, a dark, pointed beard! Isn't that Courtenay?"
"Sounds like him. Did she describe him further?"
"Yes, but only when I dragged it out of her. She vowed she couldn't see
him clearly, and I pretended I wanted her to say a round, smooth-shaven
face, and little by little I wormed it out, and it was Courtenay to the
life. Then, Mrs. Stannard weakened on the whole show, which proves it."
"You say you've thought of him before?"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account