American fiction -- 20th century; Detective and mystery stories; Long Island (N.Y.) -- Fiction; Murder -- Investigation -- Fiction
"You, least of all. Mrs. Faulkner is a dear, but she is so unwilling to
admit she suspects anybody--I mean, anybody we know. She insists it was
some stranger--and, it wasn't--I mean--oh--what am I saying? Joyce, I shall
go crazy."
Natalie looked distraught. Her eyes had a wild look, as of a hunted
animal. Her little fingers plucked at the silk of her robe, and her
slippered foot tapped the rug continuously.
"You didn't love Eric, did you?" and Joyce looked at the girl, as if
seized with a new idea.
"No! I hated him! Forgive me, Joyce, but I can't help it. He was almost
repulsive to me. Not physically--he was handsome, and most
correct-mannered, and all that. But I was afraid of him. I've only posed
for a few artists, but they were all--you know--impersonal in their
relations with me. But Eric made love to me from the first."
"I know it. I saw it."
"And you didn't resent it?"
"I felt more pity for you than jealousy of you. I know Eric, and oh,
Natalie, I tried so hard to be good, and to do my duty--but Eugene was
always around, you know--and, must I confess it? I was rather glad that
Eric's attention was taken up with his model."
"I know. I saw all that. But you see, I care for Barry. And Eric told
me----"
"What, Natalie?"
"No, I can't tell you. Oh, Joyce, I am in danger. I can't ward it off,
and I can't meet it. What shall I do? What can I do?"
"May I come in?" and Barry appeared at the door of the boudoir.
"Yes," Joyce answered. "Come on in. This child says she is going away."
"She isn't!" and Barry slammed the trunk lid shut, turned the key,
removed it and put it in his pocket.
"Oh," cried Natalie, forced to smile at this high-handed piece of
business. "There's a lot of things in there I want!"
"Can't have 'em," returned Barry, "unless you promise to put 'em back in
that very empty wardrobe I see yawning at us."
"Barry, I _must_ go away. I've--I've good reasons."
Joyce had left the room, and Barry sat down beside the trembling little
figure and put an arm round her.
"Don't speak of going away, Natalie. Don't think of it. It would look
like confession."
"Have you heard about the will?" she asked, an awestruck note in her
voice.
"Yes, but never mind about that. When we can get married, all my half
the fortune will be yours anyway. That item of seven thousand or seventy
thousand makes no difference to us."
"But you don't think I--forged it--do you, Barry?"
"Of course not, darling. I don't think you ever did a wrong thing in
your life, of any sort or description--and I wouldn't care if you had."
"Wouldn't you care if I had committed--crime?"
"Oh, if you put it that way, I suppose I'd care--but I'd love you just
the same."
"_Just_ the same?"
"Just exactly, darling."
"And you don't think I changed that will?"
"I do not."
"Who did, do you think?"
"How do you know anybody did?"
"Joyce says so."
"Well, never mind about it. If I know who did it, I won't tell you--and
you needn't ask."
Public-domain text, read in full here on John Shaqi.
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