American fiction -- 20th century; Detective and mystery stories; Long Island (N.Y.) -- Fiction; Murder -- Investigation -- Fiction
"Have you a picture of Mr. Stannard?" he said at last.
"Yes," and Joyce took a photograph from a small chest full of portraits.
"This is a photograph of a painting done by himself. It was made about
four years ago, but he changed little since."
Ford took the card and studied it. He saw a noble head and brow, fine
features, and a general air of self-appreciation that was, however, not
to be called conceit. The mouth had a few weak lines about its corners,
but on the whole it was the presentment of a man of genius.
"Have you a photograph of the subject in life?" he asked; "not taken
from a painting."
"Yes, but not a recent one," replied Joyce. "Except for some little
snapshots," and she put a half-dozen small pictures in the hands of the
detective.
"Better yet," Ford said, and he carefully scrutinized the papers.
But all the pictures of Eric Stannard gave the same impression of power,
self-confidence and dominance.
XVIII
Questions and Answers
Still studying the face of the artist, Alan Ford indicated his desire to
begin the successive interviews with the members of the household. All
but Barry left the room, and the young man sat down near the absorbed
detective.
"Your father was a handsome man," Ford said, as he laid aside the
pictures.
"Yes," agreed Barry. "I wish I might have been more nearly his type."
"Physically, you mean?"
"Yes, and mentally, too. I admit my father's moral weakness, yet he was
not a bad man, as men go. His artistic temperament was responsible for
his being blamed far more than was just or right."
"That is probably true," said Ford, seriously. "To a man of that
sensitiveness to beauty many things seemed right that were not. Now, Mr.
Stannard, will you please tell me everything about the actual facts as
you know them, regarding the hour or half hour in which the crime was
committed? Don't shade or colour your story to shield Miss Vernon, for
such a bias will only prejudice my judgment against her. Tell me exactly
the events as they followed one another to your positive knowledge, and
nothing more."
"Very well, Mr. Ford, I will do just as you ask. But let me say this
first; there are three suspects----"
"Excuse me, there are four suspects."
"If you count Mr. Courtenay, yes. But the three in the house, my
stepmother, Miss Vernon and myself, have been definitely suspected and,
probably, are still. So I want to say, that if one of us must remain
under suspicion, let it be me. It is impossible that a woman did this
deed. So investigate along the line of Courtenay or myself, but as I
feel quite sure you can get no real evidence against him, use me for a
scapegoat, while you are finding the real criminal."
"Then you are not the criminal, Mr. Stannard?"
"If I were, would I be apt to tell you?"
"You couldn't help telling me. Not in words, but in manner, in glance,
in intonation, in a dozen ways, over which you have no control."
"Have I told you so?"
Public-domain text, read in full here on John Shaqi.
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