Irish -- United States -- Fiction; New York (N.Y.) -- Fiction; Runaway wives -- Fiction
“You see, Sam couldn't say EXACTLY when the party was to take place
because--well, because he hasn't heard a word about it, and won't until
I get back. It is my party, not Sam's, and I've got to break it to him
gently. And I've got to fool him about the party, make him think it's
his party, or he'll think I'm holding it over him because I've got a
little more money than he has, just as I intend to fool him about the
picture. I couldn't say, when you asked me, when the day was to be
fixed, because I've told lies enough to that dear child. But I know just
what Sam will do when I tell him about his party; he'll stand on his
head he'll be so happy. You see if, when I unwrapped the picture, you
had talked ten dollars right out, why then I was going to make it next
Saturday; that is, to-morrow. But you hemmed and hawed so, I had to make
it 'some day soon.' Of course, I never expected the fifty; ten will be
enough for car-fare all around and some beer and sandwiches, that's all
we ever have. That's why I chucked in Augustus to make sure. Well, see
what you can do, and don't forget to write the note and I'll do the rest
of the lying.” And chuckling to himself he hurried away.
As the door swung wide, a slim man bustled past him, and, spying Felix,
moved briskly to where he stood. He had just ten minutes to spare, he
announced, and was looking for a present for his wife; “something in the
way of fans, old ones, and not over five dollars.”
Felix, who had raised the lid of the case and was stowing Dogger's
masterpiece inside to keep it out of harm's way, his mind wholly
occupied with the two old painters and their tenderness toward each
other, roused himself to answer:
“Yes, half a dozen. Not at your price, though, not old ones. Here are
two fairly good specimens,” and he handed them out and laid them on the
glass before him.
The man leaned forward and peered into the case.
“That's a picture of the Palisades, isn't it?” He had ignored the fans.
“Yes, so I understand.”
“Oh, I knew it first time I put my eyes on it. I'm in the real-estate
business. I've got a lot of cottage sites along that top edge. Is it for
sale?”
“It will be when it's cleaned and varnished and I have it framed.”
“Belong to you?”
“No; it belongs to a man who has left it for sale. He went out as you
came in.”
“What does he want for it?”
“He would be satisfied with ten dollars, even less, because he needs the
money. I want fifty.”
“You want to make the rest?”
“No, it all goes to him.”
“Well, what do you stick it on for?”
“Because if it isn't worth that, it isn't worth anything.”
“Take it out and let me have a look at it. Yes, just the spot. That
whitish streak and that little puff of steam is where they're breaking
stone. Make a good advertisement, wouldn't it, hanging up in your
office? You can show the owners just where the land lies, and you can
show a customer just what he's going to own.”
Public-domain text, read in full here on John Shaqi.
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