Female Scripture Biography, Volume ICox, F. A. (Francis Augustus)
Religion
Female Scripture Biography, Volume I
Cox, F. A. (Francis Augustus)
Bible -- Biography; Women -- Religious life; Women in the Bible
In modern times it would be unjust to impute the entire blame to the young
women themselves; much is attributable to the _system_ which has been
adopted in their education. Nothing indeed can justify, and few things can
be said in extenuation of the guilt of an arrogant disposition, unyielding
to the wishes of tender though perhaps less educated parents; but it is to
be regretted, that the useful is often far less regarded in public
seminaries than the ornamental; and that, while the exterior is polished,
the mind remains comparatively uncultivated. We shall not be understood to
require a total exclusion of elegant instruction, or polite
accomplishments; but let the understanding be well directed, the memory
amply stored, the judgment constantly exercised, the hands usefully
employed, the temper carefully watched and disciplined--above all, let
religion and the fear of God be the basis of the whole fabric, that "our
daughters may be as corner-stones, polished after the similitude of a
palace."--"By daughters families are united and connected to their mutual
strength, as the part of a building are by the corner-stones; and when
they are graceful and beautiful, both in _body_ and _mind_, they are then
_polished_ after the similitude of a nice and curious structure. When we
see our daughters well established, and stayed with wisdom and discretion,
as corner-stones are fastened in the building; when we see them by faith
united to Christ as the chief corner-stone, adorned with the graces of
God's Spirit, which are the polishing of that which is naturally rough,
and become _women professing godliness_; when we see them purified and
consecrated to God as living _temples_, we think ourselves happy in them."
[15]
2. We see in Rebekah's interview with the servant of Abraham, a pattern of
_unaffected simplicity_. It is this which throws an inexpressible charm
over the narrative. We see nothing but _nature_; not a particle of false
delicacy or finesse. There is no study, no aim to please, no acting a part
to court esteem, no suspicions about her, and no concealments; but, in
every word and motion, the most perfect artlessness. "When unadorned" she
approaches the well to draw the evening supply of water, she seems
"adorned the most."
Public-domain text, read in full here on John Shaqi.
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