Fenelon's Treatise on the Education of Daughters: Translated from the French, and Adapted to English ReadersFénelon, François de Salignac de La Mothe-
Philosophy
Fenelon's Treatise on the Education of Daughters: Translated from the French, and Adapted to English Readers
Fénelon, François de Salignac de La Mothe-
Women -- Education
Be particularly zealous, therefore, to make girls understand how much
more estimable is that honor which flows from an upright conduct and
sound capacity, than that which arises from the elegance and splendor of
dress. Beauty, you may say, deceives the possessor of it much more than
it does those whom it dazzles: it agitates and intoxicates the soul; we
are more foolishly idolising ourselves, than the most passionate lovers
the object of their affection. A few years only make the difference
between a beautiful and ordinary woman. Beauty is not desirable unless
it produces advantageous marriages: and how should it effect this,
unsupported by merit and virtue? A girl, merely beautiful, can only hope
to be united to a giddy young man, with whom she is pretty certain of
misery: on the contrary, her good sense and modesty would cause her to
be sought for by prudent men, sensible of such solid qualifications.
Those whose fame consists only in their beauty, soon become ridiculous:
they approach, without perceiving it, to a certain age in which their
charms begin to fade; still, however, indulging the dear delusion of
self-gratification, when the world has long ago been disgusted with
their vanity. In short, it is as unreasonable to be attached _solely to
beauty_, as to concentrate all merit in strength of body; a maxim, which
barbarians and savages only inculcate.
From beauty let us pass to DRESS. True grace does not depend on a vain
and affected exterior; although propriety, and some little skill may be
shewn in our necessary clothing. But after all, these silks or satins,
which may be pretty enough, can never be considered as ornaments which
_confer_ beauty.
I would even make young girls remark that noble simplicity which appears
in the drapery of _statues_, and in many figures which yet remain of
Grecian and Roman _costume_. They should contemplate the superiority
of hair negligently tied behind, and of the broad folds of a full and
floating drapery. It would also be as well for them to hear painters
and connoisseurs, who possess a true taste for the antique, converse on
these subjects.
In proportion as their understanding rose superior to the prejudices of
fashion, they would hold in contempt those artificial modes of twisting
and curling the hair, and all the paraphernalia of a fashionable woman.
I am aware that one should not wish them to assume an entirely-antique
costume of dress, which would be extravagant, and sometimes indecent:
but they might, without the affectation of singularity, model their
taste on that simplicity of attire, which is so noble, so delightful,
and in all respects conformable to the manners of christians. Make them
observe often, and by times, the vanity and, frivolousness of that mind
which is sacrificed to the inconstancy of fashion.[12] True grace
follows, but never does violence to, nature.
Public-domain text, read in full here on John Shaqi.
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