Fenelon's Treatise on the Education of Daughters: Translated from the French, and Adapted to English ReadersFénelon, François de Salignac de La Mothe-
Philosophy
Fenelon's Treatise on the Education of Daughters: Translated from the French, and Adapted to English Readers
Fénelon, François de Salignac de La Mothe-
Women -- Education
[16] An admirable sermon, "on the antiquity, use, and excellence, of
church music," by Bishop Horne, may be seen among the 16 sermons
separately published by that amiable prelate, in 8vo. Oxford, 1795,
2d edit.
_T._
Music and poetry employed on sacred subjects, would have a powerful
influence in destroying the relish for profane pleasures. But while our
present prejudices prevail, these arts cannot be cultivated without
danger. Lose no time, therefore, in making a young woman who is strongly
susceptible of these impressions, sensible of what charms may be found
in music, even while it is confined to subjects of religion: if she has
a good voice and a taste for music, never hope to keep her in ignorance
of it; to forbid it will only increase her passion for it. It will be
much better to give it a proper direction, than to endeavour to stifle
it.
PAINTING is more easily convertible to good purposes; besides, it
belongs in some degree to women; their needlework cannot properly be
executed without it. I know they might be confined to employments that
are simple and require no skill; but as I think we should contrive to
employ the head and hands of women of condition at the same time, I
could wish they had employments in which art and ingenuity might season
their labours with some entertainment. Their work cannot have any real
beauty, unless it be conducted by a knowledge of the rules of drawing;
for want of which, what one sees in stuffs, lace, and embroidery,
is done in an ill taste; all is confused; without design, without
proportion.[17] These things are reckoned fine, because they cost a
great deal of labour to those who work them, and a great deal of money
to those who buy them. The lustre dazzles those who do not closely
examine, or are not skilful in these matters. The women on this subject
have made rules of their own, which if any man should contest, he
would be thought capricious and absurd. However, they might correct
themselves by an attention to painting, and so be able, at a moderate
expense, and to their great entertainment, to execute works of a noble
variety and beauty, which would bid defiance to the caprice and
uncertainty of fashion.
[17] I do not think this applicable to the present system of fashion:
women, in general display great taste in patterns, and great elegance
in the adjustment of dress.
_T._
Public-domain text, read in full here on John Shaqi.
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