Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
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Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
E-Q-U-I--equi, D-O-M-E--dome, “Equidome.” Betty, hand me my
dictionary.
Well, now, who would have believed that I, Fanny Fern, would have
tripped over a “stable?” That all comes of being “raised” where people
persist in calling things by their right names. I’m very certain that
it is useless for me to try to circumnavigate the globe on stilts.
There’s the “Hippodrome!” I had but just digested that humbug: my
tongue kinked all up trying to pronounce it; and then I couldn’t find
out the meaning of it; for Webster didn’t inform me that it was a place
where vicious horses broke the necks of vicious young girls for the
amusement of vicious spectators.
--“Jim Brown!” What a relief. I can understand that. I never saw Jim,
but I’m positively certain that he’s a monosyllable on legs--crisp as a
cucumber. Ah! here are some more suggestive signs.
“Robert Link--Bird Fancier.” I suggest that it be changed to
Bob-o’Link; in which opinion I shall probably be backed up by all
musical people.
Here we are in Broadway junior, alias the “Bowery.” I don’t see but
the silks, and satins, and dry goods generally, are quite equal to
those in Broadway; but, of course, Fashion turns her back upon them,
for they are only half the price.
What have we here, in this shop window? What are all those silks, and
delaines, and calicoes, ticketed up that way for?--“Superb,” “Tasty,”
“Beautiful,” “Desirable,” “Cheap for 1_s._,” “Modest,” “Unique,”
“Genteel,” “Grand,” “Gay!” It is very evident that Mr. Yardstick takes
all women for fools, or else he has had a narrow escape from being one
himself.
There’s a poor, distracted gentleman in a milliner’s shop, trying
to select a bonnet for his spouse. What a _non compos_! See him poise
the airy nothings on his great clumsy hands! He is about as good a
judge of bonnets as I am of patent ploughs. See him turn, in despairing
bewilderment, from blue to pink, from pink to green, from green to
crimson, from crimson to yellow. The little witch of a milliner sees
his indecision, and resolves to make a _coup d’état_; so, perching one
of the bonnets (blue as her eyes) on her rosy little face, she walks
up sufficiently near to give him a magnetic shiver, and holding the
strings coquettishly under her pretty little chin, says:
“Now, I’m sure, you can’t say _that_ isn’t pretty!”
Of course he can’t!
So, the bonnet is bought and band-boxed, and Jonathan (who is sold
with the bonnet) takes it home to his wife, whose black face looks in
it like an overcharged thunder-cloud set in a silver lining.
Public-domain text, read in full here on John Shaqi.
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