Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
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Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
Her eye fell upon the great house opposite. There was comfort there,
and luxury, too; for the rich, satin curtains were looped gracefully
away from the large windows; a black servant opens the hall door: see,
there are statues and vases and pictures there: now, two young girls
trip lightly out upon the pavement, their lustrous silks, and nodding
plumes, and jeweled bracelets glistening, and quivering, and sparkling
in the bright sunlight. Now poising their silver-netted purses upon
the daintily gloved fingers, they leap lightly into the carriage in
waiting, and are whirled rapidly away.
That little seamstress is as fair as they: her eyes are as soft and
blue; her limbs as lithe and graceful; her rich, brown hair folds
as softly away over as fair a brow; her heart leaps, like theirs,
to all that is bright and joyous; it craves love and sympathy, and
companionship as much, and yet she must stitch--stitch--stitch--and
droop under summer’s heat, and shiver under winter’s cold, and
walk the earth with the skeleton starvation ever at her side, that
costly pictures, and velvet carpets, and massive chandeliers, and
gay tapestry, and gold and silver vessels may fill the house of her
employer--that _his_ flaunting equipage may roll admired along the
highway, and India’s fairest fabrics deck his purse-proud wife and
daughters.
* * * * *
[Illustration: “Tut, tut, young woman! don’t quarrel with your bread
and butter!”]
It was a busy scene, the ware-room of Simon Skinflint & Co. Garments
of every hue, size and pattern, were there exposed for sale. Piles
of coarse clothing lay upon the counter, ready to be given out to
the destitute, brow-beaten applicant who would make them for the
smallest possible remuneration; piles of garments lay there, which such
victims had already toiled into the long night to finish, ticketed to
bring enormous profits into the pocket of their employer: groups of
dapper clerks stood behind the counter, discussing, in a whisper, the
pedestals of the last new _danseuse_--ogling the half-starved young
girls who were crowding in for employment, and raising a blush on the
cheek of humble innocence by the coarse joke and free, libidinous gaze;
while their master, Mr. Simon Skinflint, sat, rosy and rotund, before a
bright Lehigh fire, rubbing his fat hands, building imaginary houses,
and felicitating himself generally, on his far-reaching financial
foresight.
“If you could but allow me a trifle more for my labor,” murmured a
low voice at his side; “I have toiled hard all the week, and yet--”
Public-domain text, read in full here on John Shaqi.
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