Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
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Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
I don’t know the old man. I never saw him on ’change, in a fine
suit of broadcloth, leaning on his gold-headed cane; while brokers,
and insurance officers, and presidents of banks raised their hats
deferentially, and the crowd respectfully made way for him. I never
kept account of the enormous taxes he annually paid the city, or saw
his gallant ships ploughing the blue ocean with their costly freight,
to foreign ports. I never saw him in his luxurious home, taking his
quiet siesta, lulled by the liquid voice of his fairy daughter. No:
nor did I hear the auctioneer’s hammer in that home, nor see the red
flag floating, like a signal of distress, before the door. I didn’t
read the letter that recalled his only boy from college, or see the
humbled family, as they passed, shrinking, over the threshold, into
poor lodgings, whose landlord coarsely stipulated for “a week’s rent in
advance.”
“Any occupation not _too laborious_.” How mournfully the old man’s
words fall upon the ear! Life to commence anew, with the silver head,
and bent form, and faltering step, and palsied hand of age! With the
first ray of morning light, that hoary head must be lifted from an
unquiet pillow, to encounter the drenching rain, and driving sleet,
and piercing cold. No reprieve from that wearisome ledger, for the
throbbing brow and dimmed eye. Beardless clerks make a jest of “the
old boy;” superciliously repeating, in his sensitive ear, their mutual
master’s orders. With them he meekly receives his weekly pittance;
sighing, as he counts it over, to think of the few comforts it will
bring to the drooping hearts at home. Foot-weary, he travels through
the crowded streets; his threadbare coat, and napless hat, and dejected
face, all unnoticed by the thriving young merchant, whom the old man
helped to his present prosperous business position. The birth-days of
his delicate daughter come and go, all unmarked by the joy-bestowing
gift. With trouble and exposure, sickness comes at last: then, the
tardy foot, and careless, professional touch of the callous-hearted
dispensary doctor: then, the poor man’s hearse stands before the door;
then winds unheeded through busy streets, to the “Potter’s field,”
while his former cotemporaries take up the daily paper, and sipping
their wine, say carelessly, as if _they_ had a quit-claim from sorrow,
“Well, Old Smith, the broken-down millionaire, is dead.”
Ah, there are tragedies of which editors and printers little dream,
woven in their daily advertising sheets: the office boy feeds the fire
with many a tear-blotted manuscript, penned by trembling fingers, all
unused to toil.
A MOVING TALE.
Public-domain text, read in full here on John Shaqi.
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