Fern Leaves from Fanny's Port-folio. Second SeriesFern, Fanny
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Fern Leaves from Fanny's Port-folio. Second Series
Fern, Fanny
American essays -- 19th century; Short stories, American
Oh, pshaw! were I married, the soberer my husband looked, the more
fun I’d rattle about his ears. _Don’t disturb him!_ I guess so! I’d
salt his coffee--and pepper his tea--and sugar his beef-steak--and
tread on his toes--and hide his newspaper--and sew up his pockets--and
put pins in his slippers--and dip his cigars in water,--and I wouldn’t
stop for the great Mogul, till I had shortened his long face to my
liking. Certainly, he’d “get vexed;” there wouldn’t be any fun in
teasing him if he didn’t; and that would give his melancholy blood a
good, healthful start; and his eyes would snap and sparkle, and he’d
say, “Fanny, WILL you be quiet or not?” and I should laugh, and pull
his whiskers, and say decidedly, “_Not!_” and then I should tell him he
hadn’t the slightest idea how handsome he looked when he was vexed, and
then he would pretend not to hear the compliment--but would pull up his
dickey, and take a sly peep in the glass (for all that!) and then he’d
begin to grow amiable, and get off his stilts, and be just as agreeable
all the rest of the evening _as if he wasn’t my husband_; and all
because I didn’t follow that stupid bit of advice “to let him alone.”
Just as if _I_ didn’t know! Just imagine ME, Fanny, sitting down on a
cricket in the corner, with my forefinger in my mouth, looking out the
sides of my eyes, and waiting till that man got ready to speak to me!
You can see at once it would be--be--. Well, the amount of it is, _I
shouldn’t do it!_
OUR STREET.
Sing away, little bird! only you, the trees, and myself, are
stirring, but you have an appreciative audience. Your sweet carol
and the graceful waving of yonder tree, as the soft wind turns up
its silver-lined leaves in the sunlight, fill my heart with a quiet
gladness.
Whom have we here? with ragged skirt, bare mud-begrimm’d feet and
ankles, tattered shawl, and tangled masses of hair fluttering round
a face ploughed deep with time and trouble. See--she stoops, and,
stretching her skeleton fingers towards the gutter, grasps some refuse
rags and paper, and thrusts them greedily into the dirty sack she bears
upon her shoulders. Good heavens! that dirty mass of rags a _woman_?
How wearily she leans against yonder tree, gazing upward into its
branches! Perhaps that little bird’s matin song has swept some chord
for long years untouched in that callous heart; telling her of the
shelter of a happy home, where Plenty sat at the board and Love kept
guard at the threshold. Oh! who can tell? One more song, my little
bird, ere she goes; not so _mockingly_ joyous, but sweet, and soft, and
low--a requiem for blighted youth and blasted hopes; for know that the
blue sky to whose arch you soar, bends over misery enough to make the
bright seraphs weep.
Public-domain text, read in full here on John Shaqi.
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