Fetichism in West Africa : $b forty years' observation of native customs and superstitionsNassau, Robert Hamill
Philosophy
Fetichism in West Africa : $b forty years' observation of native customs and superstitions
Nassau, Robert Hamill
Ethnology -- Africa, West; Fetishism -- Africa, West
[Illustration: EKOPE OF THE IVANGA DANCE.--GABUN.]
While dancing, Antyande wears a wide belt called "ekope," which is made
with white and red stripes, and adorned with fringes of small bells in
bands like sleigh-bells. It is known that her ekope has been heard and
seen moving as if in the rhythm of a dance in her own room when she was
not visibly there. Those who heard the sound of its bells would think she
was there practising the dance; but when they went to look, they saw it
moving, but did not see her. A few months afterward, a report came at
night to the villages that Antyande was very much excited and could not
sleep; that she had gone to her room for the ekope, and that it was not
there. So she began to make a great fuss, and begged her associates to
keep watch and go with her to search for the missing ekope. Some of these
friends were willing; others were not, and these went to their beds. She
then went to other villages and told the people there: "My ekope has gone
out on a promenade. Have you seen it?" These people were among the chief
dancers of her band. But they told her they did not know where the ekope
was. So she began to ejaculate a prayer: "Oh, please, you went out for a
walk; come back to me, for if you do not return, then I am lost. It will
be death to me." Just before daylight, as she was still wandering about
with her friends, and singing ivanga songs to attract her ekope, suddenly
she and two of her friends heard the tinkling of the bells among the
bushes lining a certain road which passes by a Roman Catholic chapel. They
all went in the direction of the sound of the bells, and entering a
cluster of the bushes, they saw the ekope moving to and fro. She was so
glad to see it, and she bade one of her companions to go and get it. But
the woman was afraid, and refused, saying, "Me! Oh, no! Go and get it
yourself!" So she went to it, singing her ivanga song, seized it, and
brought it to her house.
As she is noted for her grace and skill in that particular dance, another
woman, by name Ekâmina, asked her to give her power such as hers, as she
also wished to be leader of another band of ivanga dancers. Antyande
assented, saying, "Well, do you want spirits with it?" The other replied,
"Yes, I want two." So the two women, with a young man to escort them, went
at night to the graves and obtained the two desired spirits. It is these
which give them spirit power. When under their influence, their bodies are
thrilled with a new essence which makes them very light and causes them to
act and speak as if insane. The two women came back to Antyande's village,
and she performed all the magic ceremonies that Ekâmina wanted.
Some time after this, when Ekâmina had practised much and had danced
publicly several times, people began to say to her that she danced very
well, and soon she was invited to give exhibitions in various places.
Public-domain text, read in full here on John Shaqi.
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