The whole place was wrapped in Sabbath stillness; milking was over, and a
distant line of red and dappled cows was vanishing down the lane,
followed by one or two of the dairy ‘chaps,’ with white pinners
protecting their Sunday clothes. Save for the calves, which thrust their
blunt, moist noses through the bars of their enclosure, and the fowl
cackling lazily as they lay sunning themselves in the angle of the barn,
the barton was absolutely deserted.
‘We drained the big mead four years ago,’ said Rosalie, ‘and threw the
twenty-acre into it; ’t is beautiful pasture now. Would you like to see
it?’
Richard hurriedly expressed a desire to that effect, and the two betook
themselves in silence along a narrow farm-track to the rear of the house,
which led to the field in question. They walked with the breadth of the
lane between them, and in unbroken silence; their eyes, by common accord,
gazing straight in front, and both secretly rebelling against the
expedient which Isaac had deemed so happily devised. At length they came
to a gate set in the hedge, and turned to look over it. A great green
expanse stretched away before their gaze, meeting the sky-line on one
side where it sloped upwards, and melting on the other into the lighter,
more delicate green of springing corn; beyond were the woods, which, as
well as the low line of hills behind them, were covered by a gentle haze.
Richard leaned his elbows on the topmost rail of the gate, and his face
gradually cleared as his eyes roamed over the landscape.
This county of Dorset has given birth to more than one great writer of
lowly origin, whose early nurture amid field, and heath, and woodland has
fostered an intimate and loving sympathy with Nature, to which each in
turn has given exquisite expression. Richard Marshall, born of the same
sturdy peasant stock, brought up amid the same pastoral surroundings,
possessed a somewhat kindred spirit, though he was denied this gift of
expression. Yet the inglorious rustic Milton was not always mute; he had
read so much, and meditated so much, and, above all, felt so deeply, that
at times something of what he thought and felt struggled to his lips and
found vent in words, inadequate, indeed, but suggestive.
‘How beautiful it all is!’ he said, turning to Rosalie, with a very
poet’s rapture in his eyes. ‘It seems to fill one like music.’
‘Yet I suppose you have seen far finer sights during your travels,’
returned she, speaking naturally for the first time, as she too leaned
over the gate.
‘Finer things? Oh, yes, perhaps; but this homely beauty touches me as no
other sight could do. Something about a great sketch of green like this
always affects me curiously. I love these wide fields.’
Public-domain text, read in full here on John Shaqi.
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