The following day, the last Oswald was to spend at Ettersberg, brought
a somewhat unlooked-for visitor. Count Edmund, though his coming was
hourly expected, had not returned from his shooting expedition when
Baron Heideck suddenly arrived in the forenoon, straight from town. He
had thought fit to absent himself in demonstrative fashion from the
festivities held to celebrate his nephew's coming of age. The
announcement of the young gentleman's approaching marriage, then
publicly to be made, should not, he decided, receive the sanction of
his presence; but when more than two months had elapsed, he determined
to pay a brief visit to his relations at the castle. Though the fact
of the engagement could not now be altered, an animated discussion on
the subject seemed to have taken place between the brother and sister.
They had remained more than an hour closeted together, and Heideck's
reproaches took the more effect that Edmund's mother already secretly
repented of her precipitate action in the matter, though as yet she
would not admit it openly.
Finally the Countess, in evident perturbation, retired to her own
room. Seating herself before her writing-table, she pressed a hidden
spring, which opened its most secret drawer. The interview she had had
with her brother must have borne upon, or at least have reawakened,
memories of the past, for very certainly the article which the
Countess took from that small compartment was a souvenir of distant,
bygone days. It was a small leather case, a few inches long,
containing apparently a portrait which perhaps for years had remained
in its hiding-place untouched. That it belonged to a remote period was
proved by its old-fashioned shape and faded exterior. The Countess
held it open before her, and as she sat gazing fixedly down on the
features thus exposed to view, her countenance assumed an abstracted
air most unfamiliar to it.
She was lost in one of those vague, half-unconscious reveries which
altogether efface the present, and carry the dreamer away to a
far-distant past. Obliterated memories troop back upon the mind,
forgotten joys and sorrows revive in all their old intensity, and
forms that have long lain beneath the sod rise, move, and live again.
The Countess did not notice how the minutes sped by, lengthening into
hours as she sat there, wrapt in contemplation. She started, half
frightened, half annoyed, when, without any previous warning, the door
of the room was suddenly thrown open. Quick as thought, she closed the
little case and placed her hand upon it, while the angry look in her
eyes seemed to inquire what the interruption could mean.
The intruder was old Everard, who came in with a haste much at
variance with his usual formal, solemn demeanour. He was evidently
agitated, and he began his report at once without waiting to be
questioned by his mistress.
'The Count has just returned, my lady.'
'Well, where is he?' asked the mother, accustomed always to be her
son's first thought.
Public-domain text, read in full here on John Shaqi.
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