Adultery -- Fiction; Family -- Fiction; United States -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
tinged with the strangeness of an hour so little known to men's
consciousness, softly opened the door and stepped into the house where
death was touching life with that same unreality with which, without,
day touched night.
Miss Copeland, wrapped in a bathrobe, sat in the upstairs hall. "He's
still breathing," she whispered in that voice which is for death alone.
In the room Ruth and Ted stood close together, the nurse on the other
side of the bed. Ruth's hair was braided down her back; he remembered
when she used to wear it that way, he had one of those sudden pictures
of her--on her way to school, skipping along with Edith Lawrence. She
turned, hearing him, and there was that rush of feeling to her eyes that
always claimed him for Ruth, that quick, silent assumption of his
understanding that always let down bars between them. But Ruth kept
close to Ted, as if she would shield him; the boy looked as Deane had
seen novices look in the operating room.
There was nothing for him to do beyond look at his patient and nod to
the nurse in confirmation that it would be any minute now. He walked
around to Ted and Ruth, taking an arm of each of them and walking with
them to the far side of the room.
"There's nothing to do but wait," he said.
"I wish Harriett and Cyrus would get here," whispered Ruth.
"You telephoned?"
"Before I did you--but of course it's a little farther."
They stood there together in that strange silence, hearing only the
unlifelike breathing of the man passing from life. Listening to it,
Ruth's hand on Deane's arm tightened. Soothingly he patted her hand.
Then, at a movement from the nurse, he stepped quickly to the bed. Ruth
and Ted, close together, first followed, then held back. A minute later
he turned to them. "It's over," he said, in the simple way final things
are said.
There was a choking little cry from Ted. Ruth murmured something, her
face all compassion for him. But after a moment she left her brother and
stood alone beside her father. In that moment of seeing her face, before
turning away because it seemed he should turn away, Deane got one of the
strangest impressions of his life. It was as if she was following her
father--reaching him; as if there was a fullness of feeling, a rising
passionate intensity that could fairly overflow from life. Then she
turned back to Ted.
Cyrus and Harriett had entered. There was a moment when the four
children were there together. Cyrus did not come up to the bed until
Ruth had left. Deane watched his face as--perfunctorily subdued,
decorous, he stood where Ruth had stood a moment before. Then Cyrus
turned to him and together they walked from the room, Cyrus asking why
they had not been telephoned in time.
Public-domain text, read in full here on John Shaqi.
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