Adultery -- Fiction; Family -- Fiction; United States -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
She tried to forget the things that were coming back to her--how Mildred
would gleefully hold up her hands to have her mittens put on when she
and Edith were about to take her out, and tried too to turn the
conversation--breaking out with something about Mrs. Herman's children.
But it became apparent that Mildred was not to be put off. Everything
Ruth would call up to hold her off she somehow forced around to an
approach for what she wanted to say.
And then it came abruptly, as if she were tired of trying to lead up to
it. "I've been wanting to see you--Ruth," she hesitated over the name,
but brought it out bravely, and it occurred to Ruth then that Mildred
had not known how to address her. "When I heard you were here," she
added, "I was determined you shouldn't get away without my seeing you."
Ruth looked at her with a little smile, moved, in spite of herself, by
the impetuousness of the girl's tone, by something real that broke
through the worldly little manner.
"I don't feel as the rest of them do." She flushed and said it
hurriedly, a little tremulously; and yet there was something direct and
honest in her eyes, as if she were going to say it whether it seemed
nice taste or not. It reached Ruth, went through her self-protective
determination not to be reached. Her heart went out to Mildred's youth,
to this appeal from youth, moved by the freshness and realness beneath
that surface artificiality, saddened by this defiance of one who, it
seemed, could so little understand how big was the thing she defied, who
seemed so much the product of the thing she scorned, so dependent on
what she was apparently in the mood to flout. "I don't know that they
are to be blamed for their feeling, Mildred," she answered quietly.
"Oh, yes, they are!" hotly contended the girl. "It's because they don't
understand. It's because they _can't_ understand!" The reins had fallen
loose in her hand; the whip sagged; she drooped--that stiff, chic little
manner gone. She turned a timid, trusting face to Ruth--a light shining
through troubled eyes. "It's love that counts, isn't it,--Ruth?" she
asked, half humble, half defiant.
It swept Ruth's heart of everything but sympathy. Her hand closed over
Mildred's. "What is it, dear?" she asked. "Just what is it?"
Mildred's eyes filled. Ruth could understand that so well--what sympathy
meant to a feeling shut in, a feeling the whole world seemed against.
"It's with me--as it was with you," the girl answered very low and
simply. "It's--like that."
Ruth shut her eyes for an instant; they were passing something fragrant;
it came to her--an old fragrance--like something out of things past; a
robin was singing; she opened her eyes and looked at Mildred, saw the
sunshine finding gold in the girl's hair. The sadness of it--of youth
and suffering, of pain in a world of beauty, that reach of pain into
youth, into love, made it hard to speak. "I'm sorry, dear," was all she
could say.
Public-domain text, read in full here on John Shaqi.
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