Field and Hedgerow: Being the Last Essays of Richard JefferiesJefferies, Richard
History
Field and Hedgerow: Being the Last Essays of Richard Jefferies
Jefferies, Richard
England -- Description and travel; Natural history
There is, however, something curious about this butterbur. It is related
to the coltsfoot of the arable fields, and the coltsfoot sends up a stalk
without a leaf, and flowers before any green appears. So, too, the
butterbur of the river flowers before its great leaf comes. Nothing is
really common either, for everything is so local that you may spend
years, and in fact a lifetime, in a district and never see a flower
plentiful enough in another. Just where I am staying now the pennywort
grows on every wall attached to the mortar between the cobbles. In some
places you may search the roads in vain for this little plant, which has
this merit, that its rounded leaf presents a fresh green in February. It
does not die away, it appears as green as spring, and pieces of the wall
are ornamented with it as thickly as the iron-headed nails in old doors.
One plant grows out of the hard stem of a hawthorn tree, as if it were a
parasite like the mistletoe; probably there is some crack which the plant
itself has hidden. If every plant and every flower were found in all
places the charm of locality would not exist. Everything varies, and that
gives the interest. These purplish stones, where they lie in the water,
seem to have a kind of growth upon them--small knobs on the surface. On
examination each small roughness or knob will be found composed of a
number of very minute fragments of stone. It is a sort of cell, probably
built by a species of caddis. There was hardly a stone in the rivers that
was not dotted with these little habitations, so that it seemed difficult
to overlook them; but upon showing one to a mighty hunter to know the
local name, he declared he had never noticed it before, and added that he
did not care for such little things. It is of such little things that
great nature is made.
Public-domain text, read in full here on John Shaqi.
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