Field and Hedgerow: Being the Last Essays of Richard JefferiesJefferies, Richard
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Field and Hedgerow: Being the Last Essays of Richard Jefferies
Jefferies, Richard
England -- Description and travel; Natural history
Nothing comes of it; it does not
satisfy the individual heart. The world at large continues untouched and
indifferent--first because its common sense is not convinced, and
secondly because its secret aspirations are in no degree satisfied. So
that it is not altogether the world's fault if it is stolid. Everything
has been tried and found wanting, Men rushed in crowds to the
gold-diggings of California, to the Australian 'finds;' and in like
manner, if any real spiritual or ideal good were proffered, crowds would
rush to participate in it. Nothing yet has been given but empty words,
and these so-called 'goods' have proved as tasteless, and as much Dead
Sea apples, as the apples of vice; perhaps even more bitter than the
regrets of vice. Though I cannot name the ideal good, it seems to me that
it will be in some way closely associated with the ideal beauty of
nature.
SUMMER IN SOMERSET.
The brown Barle River running over red rocks aslant its course is pushed
aside, and races round curving slopes. The first shoot of the rapid is
smooth and polished like a gem by the lapidary's art, rounded and smooth
as a fragment of torso, and this convex undulation maintains a solid
outline. Then the following scoop under is furrowed as if ploughed
across, and the ridge of each furrow, where the particles move a little
less swiftly than in the hollow of the groove, falls backwards as foam
blown from a wave. At the foot of the furrowed decline the current rises
over a rock in a broad white sheet--white because as it is dashed to
pieces the air mingles with it. After this furious haste the stream does
but just overtake those bubbles which have been carried along on another
division of the water flowing steadily but straight. Sometimes there are
two streams like this between the same banks, sometimes three or even
more, each running at a different rate, and each gliding above a floor
differently inclined. The surface of each of these streams slopes in a
separate direction, and though under the same light they reflect it at
varying angles. The river is animated and alive, rushing here, gliding
there, foaming yonder; its separate and yet component parallels striving
together, and talking loudly in incomplete sentences. Those rivers that
move through midland meads present a broad, calm surface, at the same
level from side to side; they flow without sound, and if you stood behind
a thick hedge you would not know that a river was near. They dream along
the meads, toying with their forget-me-nots, too idle even to make love
to their flowers vigorously. The brown Barle enjoys his life, and
splashes in the sunshine like boys bathing--like them he is sunburnt and
brown. He throws the wanton spray over the ferns that bow and bend as the
cool breeze his current brings sways them in the shade. He laughs and
talks, and sings louder than the wind in his woods.
Public-domain text, read in full here on John Shaqi.
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