In these hamlets along the foot of the hills ancient stone crosses are often found. One of them has retained its top perfect, and really is a cross, not a shaft only. This is, I think, rare. Sometimes in the village street, the slender column grey against the green trees, sometimes in the churchyard, these crosses come on the mind like a sudden enigma. It requires an effort to grasp their meaning, so long have the ideas passed away which led to their erection. They almost startle modern thought. How many years since the peasant women knelt at their steps! On the base of one which has a sculptured shaft the wall-rue fern was growing. A young starling was perched on the yew by it; he could but just fly, and fluttered across to the sill of the church window. Young birds called pettishly for food from the bushes. Upon the banks hart's-tongue was coming up fresh and green, and the early orchis was in flower. Fern and flower and fledglings had come again as they have come every year since the oldest of these ancient shafts was erected, for life is older, life is greyer, than the weather-beaten mouldings. But life, too, is fresh and young; the stern thought in the stone becomes more cold and grim as the centuries pass away. In the crevices at the foot of another cross wallflowers blossomed, and plants of evening primrose, not yet in flower, were growing. Under a great yew lay the last decaying beam of the stocks. A little yew tree grew on the top of the church tower, its highest branch just above the parapet. A thrush perhaps planted it--thrushes are fond of the viscous yew berries. Through green fields, in which the grass as rising high and sweet, a footpath took me by a solitary mill with an undershot wheel. The sheds about here are often supported on round columns of stone. Beyond the mill is a pleasant meadow, quiet, still, and sunlit; buttercup, sorrel, and daisy flowered among the grasses down to the streamlet, where comfrey, with white and pink-lined bells, stood at the water's edge. A renowned painter, Walker, who died early, used to work in this meadow: the original scene from which he took his picture of _The Plough_ is not far distant. The painter is gone; the grasses and the flowers are renewed with the summer. As I stood by the brook a water-rat came swimming, drawing a large dock-leaf in his mouth; seeing me, he dived, and took the leaf with him under water.