Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
In a former edition of this work there appeared the following:--"Blue
carmine is a blue oxide of molybdenum, of which little is known as a
substance or as a pigment. It is said to be of a beautiful blue colour,
and durable in a strong light, but is subject to be changed in hue by
other substances, and blackened by foul air: we may conjecture,
therefore, that it is not of much value in painting." In his estimate of
this colour the author was certainly right. It is formed when a
solution of bichloride of molybdenum is poured into a saturated, or
nearly saturated, solution of molybdate of ammonia. A blue precipitate
falls, which is a molybdate of molybdic oxide, hydrated, and abundantly
soluble in water. When dried, it furnishes a dark blue powder,
resembling powdered indigo, having a bitter, rough, metallic taste, and
reddening litmus strongly. The solubility of this hydrated oxide is
alone fatal to its employment as a pigment. It may, indeed, be rendered
comparatively insoluble in water by ignition; but the anhydrous oxide so
obtained is nearly black, and as a colour worthless.
A more eligible preparation is the molybdate of baryta, produced by
mixing solutions of molybdate of potash and acetate of baryta. A white,
flocculent precipitate results, which rapidly condenses to a crystalline
powder, and turns blue on ignition. It is, however, a costly compound,
of little merit, and not likely to come into use. It is insoluble in
water.
138. _Blue Ochre_,
which has been improperly called Native Prussian Blue, is a native
hydrated phosphate of iron of rare occurrence, found with iron pyrites
in Cornwall, and also in North America. What Indian red is to the colour
red, and Oxford ochre to yellow, this pigment is to the colour blue,
being sober and subdued rather than brilliant. It has the body of other
ochres, more transparency, and is of considerable depth. Both in water
and oil it works well, dries readily, and does not suffer in tint with
white lead, nor change when exposed to the action of strong light, damp,
or impure air. As far as its powers extend, therefore, it is an eligible
pigment, though not generally employed nor easily procured; it may,
however, be artificially prepared. Answering to similar acid tests as
ultramarine, it is distinguished therefrom by assuming an olive-brown
hue on exposure to a red heat.
139. _Cobalt Prussian Blue._
Gmelin states that yellow prussiate of potash yields with a solution of
oxalate of sesquioxide of cobalt a blue resembling Prussian blue--that,
in fact, there can be obtained a Prussian blue with a base of cobalt
instead of iron. In the moist state, the similarity is sufficiently
great, but when washed and dried, the product is, with us, a dingy slate
colour. Possibly, if such a blue could be produced, it might exceed in
permanence the ferro- and ferri-cyanides of iron. Of course the compound
would be much more expensive.
_Copper Blues_
Public-domain text, read in full here on John Shaqi.
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