Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
or Reboulleau's Blue, is prepared by fusing together equal weights of
ordinary arseniate of protoxide of copper and arseniate of potash, and
adding one-fifth its weight of nitre to the fused mass. The result is,
so to speak, a sort of blue Scheele's green, into which latter colour it
soon passes when rubbed with oil.
146. _Cotton Seed Blue._
Cotton seed oil is bleached by treatment with either carbonate of soda
or caustic lime. In both cases, a considerable residue is left after
drawing off the bleached oil. This residue is treated with sulphuric
acid, and distilled at a high temperature, when there is left a compact
mass of a deep greenish-blue colour. On further treatment of this mass
with strong sulphuric acid, the green tint disappears, and a very
intense pure blue colour is produced. The blue mass is a mixture of the
coloured substance with some sulphuric acid, sulphate of soda, and fats.
The two former may be removed by washing with water; the latter by
treatment with naptha. Alcohol now dissolves the blue colour, and water
precipitates it from the solution chemically pure.
This blue has not been introduced as a pigment; and of its permanence,
and other attributes, we know nothing.
147. _Gold Blue._
Gold purple, under the name of Purple of Cassius, was once very well
known: a like compound of tin and gold may be made to yield a blue.
Resembling indigo, the colour is not remarkably brilliant, and, unless
several precautions are carefully observed, is rather violet than blue.
When obtained, the colour must be quickly washed by decantation, or it
changes first to violet and then to purple. Its costliness, lack of
brightness, and tendency to redden, are against its employment on the
palette. In enamelling it would doubtless preserve its colour, and in
exceptional cases might be useful.
148. _Iodine Blue._
It is curious that iodine, which gives a yellow with lead, should also
afford a blue with the same metal. When a solution of iodine in aqueous
soda (carbonate of soda is not so good) is added to nitrate or acetate
of lead-oxide, a transient violet-red precipitate falls, which
decomposes spontaneously under water, yielding iodine and a beautiful
blue powder. The colour, however, is exceedingly fugitive, even the
carbonic acid of the air separating iodine from it and forming a lead
salt. Bearing in mind the scarlet iodide of mercury, iodine is capable
of furnishing the three primary colours, distinguished alike by their
brilliancy and fugacity.
149. _Iridium Blue._
The rare metal iridium affords a blue which is a mixture of the oxide
and the sesquioxide. But being slightly soluble in water and
decolourised by sulphuretted hydrogen, it would not, other
considerations apart, be an acquisition.
150. _Manganese Blue._
Public-domain text, read in full here on John Shaqi.
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