Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
In combination with Indian red and Naples yellow, terre verte forms a
series of mild russet greens, of much use in middle distance.
* * * * *
190. _Chrome Arseniate_
is an agreeable apple-green colour, prepared from arseniate of potash
and salts of chromic oxide. It is durable, but possesses no advantages
over the chrome oxides, and is of course poisonous.
191. _Cobalt Green_,
Rinman's Green, Vert de Zinc or Zinc Green. True cobalt green is made by
igniting a very large quantity of carbonate of zinc with a very small
quantity of carbonate of cobalt. To give a green tint to an enormous
proportion of the former, an inappreciable amount of the latter will
suffice. Some samples which were analysed, consisted almost entirely of
zinc, there being only two or three per cent. of cobalt present. This
green presents an example of a pigment being chemically good and
artistically bad, or at least indifferent. It is a moderately bright
green, apt to vary in hue according to the mode of manufacture,
permanent both alone and compounded, but so sadly deficient in body and
power, as to have become almost obsolete. With other physical defects,
and a colour inferior to the chrome oxides, cobalt green has never been
a favourite with artists, though justly eulogised by chemists.
192. _Copper Borate_
is obtained by precipitating sulphate of copper with borax, washing the
residue with cold water, and, after drying, igniting it, fusion being
carefully avoided. In this manner, a pretty yellowish green is produced,
which upon longer ignition assumes a dark green shade: the mass is
levigated for use. The compound has the objection of being glassy, and
possessing little body, but is preferable to verdigris as to permanence.
193. _Copper Chrome_
may be prepared by several methods, but the colour is in no case so fine
as Scheele's or Schweinfurt green, nor is it as stable.
194. _Copper Stannate_,
or Tin-Copper Green, equals in colour any of the copper greens free from
arsenic. The cheapest way of making it is to heat 59 parts of tin in a
Hessian crucible with 100 parts nitrate of soda, and dissolve the mass
when cold in a caustic alkali. To the clear solution, diluted with
water, a cold solution of sulphate of copper is added: a reddish-yellow
precipitate falls, which on being washed and dried, becomes a beautiful
green. On the palette it would be superfluous, but for common purposes
might be found of service.
195. _Elsner's Green_
is also a combination of tin and copper. It is made by adding to a
solution of sulphate of copper a decoction of fustic, previously
clarified by a solution of gelatine. To this mixture are added ten or
eleven per cent. of protochloride of tin, and lastly an excess of
caustic potash or soda. The precipitate is then washed and dried,
whereupon it takes a green colour tinged with blue, but without the
brightness or durability of the preceding stannate.
196. _Green Bice_,
Public-domain text, read in full here on John Shaqi.
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