Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
is rather adapted for a dye than an artist-colour. It is furnished by
acting on quinine with hypochlorite of lime, hydrochloric acid, and
ammonia, successively. Thus prepared, the green resembles a resin,
insoluble in water, but soluble in alcohol, and turned blue by acetic
acid. Its alcoholic solution dyes silk green, and also woollen and
cotton when mordanted with albumen.
203. _Roman Green_,
brought from Rome some years back by a President of the Royal Academy,
appeared to be a mixture of Prussian blue and Dutch or Italian pink. It
was a fugitive compound, which became blue in fading.
204. _Silicate of Baryta._
One part of silica heated to whiteness with three parts of baryta,
yields a pale green solid mass, permanent, but deficient in colour when
ground. It might be employed in enamelling.
205. _Titanium Green_
has been proposed as a substitute for the green arsenical pigments in
common use; but, apart from its expense, the colour is very inferior to
Scheele's green, &c. Titanium green is a ferrocyanide of that metal,
produced by adding yellow prussiate of potash to a solution of titanic
acid in dilute hydrochloric acid, and heating the mixture to ebullition
rapidly. The dark green precipitate is washed with water acidulated with
hydrochloric acid, and dried with great care, since it decomposes at
temperatures above 100°.
206. _Uranium Green_
is an oxide of a deep dull green colour, inclining to olive, and nearly
black when in lumps. A durable but unattractive preparation, equalled in
permanence and far surpassed in beauty by many cheaper compounds.
207. _Vanadium Green_
falls when ferrocyanide of potassium is added to vanadic acid dissolved
in a strong acid. It is a beautiful green precipitate, but at present
simply a curiosity, owing to the rarity of the metal vanadium.
* * * * *
Adopting our usual custom of separating the wheat from the chaff, we
point to the opaque and transparent oxides of chromium, Veronese green,
viridian, emerald green, Scheele's green, and terre verte, as more or
less worthy of being dubbed durable.
As semi-stable, malachite green, bronze, Hooker's green, and Prussian
green, must be classed.
Verdigris, chrome greens, and sap green, should be branded as fugitive:
the chrome greens, because they are always commercially composed of
chromate of lead and Prussian blue, two compounds which are semi-stable
in themselves, but become fugacious when compounded.
Public-domain text, read in full here on John Shaqi.
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