Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
If red or blue in excess be added to brown, it falls into the other
semi-neutral classes, marrone or gray. The wide acceptation of the term
brown has occasioned much confusion in the naming of colours, since
broken colours in which red, &c. predominate, have been improperly
called brown. That term, therefore, should be confined to the
semi-neutral colours, compounded of, or like in hue to, either the
primary _yellow_, the secondary orange, or the tertiary _citrine_, with
a _black_. The general contrast or harmonizing colour of such compounds
will consequently be more or less purple or blue.
The number of browns is great, as may be seen by the following list.
This list, however, is good, and includes a considerable proportion of
permanent pigments.
241. ASPHALTUM,
_Asphalt_, _Bitumen_, _Mineral Pitch_, _Jew's Pitch_, _Antwerp Brown_,
_Liquid Asphaltum_, &c., is a sort of mineral pitch or tar which, rising
liquid to the surface of the Lacus Asphaltites or Asphaltic Lake (the
Dead Sea) concretes there by the natural action of the atmosphere and
sun, and, floating in masses to the shores, is gathered by the Arabs.
The French give it an additional name from the region of the lake, to
wit, Bitumen of Judea; and with the English, from the same cause, it has
the alias of Jew's pitch. Asphaltum is not so called, however, after
the lake, as is asserted by a writer in the Encyclopædia: it is just the
reverse--Pliny says, "The Asphaltic lake produces nothing but bitumen
(in Greek, asphaltos); and hence its name."
Public-domain text, read in full here on John Shaqi.
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