Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
Under this name chromate of cadmium was introduced some few years back.
If well prepared, it is a fine soft powder of a very vivid light yellow
colour. The compound is too soluble, however, to be of value, its
washings even with cold water being continually tinged yellow. Hence it
turns green after a time, and becomes otherwise discoloured. Like
citron yellow and other chromates apt to assume a green cast, it should
only be employed, if at all, when compounded for foliage tints, &c. This
want of durability is to be regretted, for a good sample of cadmium
chrome is marked by exceeding beauty, unsurpassed for clearness and
purity by any other yellow.
65. _Turbith Mineral_,
Or _Queen's Yellow_, is a subsulphate of mercury, of a beautiful lemon
yellow colour, but so liable to change by the action of light or impure
air, that it cannot be used safely, and hardly deserves attention as a
pigment.
66. _Uranium Yellow_
Can be produced of a pale or orange tint, differing in brightness and
depth of colour according to the mode of preparation. It is fairly
eligible as a pigment, and far superior to the many fugitive compounds
which have from time to time appeared. Being very expensive, however,
and not possessing the good qualities of its compeers lately introduced,
uranium yellow has but little chance of being employed now.
67. _Yellow Carmine_
Is a rich transparent colour, somewhat resembling an ochre compounded
with Indian yellow. On exposure to light, it behaves much as a mixture
of those pigments would do, the rich _yellowness_ entirely disappearing,
and the sober-coloured earth being left behind.
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Public-domain text, read in full here on John Shaqi.
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