Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
Differs from scarlet lake only in the mode of preparation. Formerly the
lake so called was extracted from the shreds of scarlet cloth. The same
may be said of _Chinese Lake_.
74. HAMBURGH LAKE
Is a lake of great power and depth of colour, purplish or inclining to
crimson, which dries with extreme difficulty, but differs in no other
essential respect from preceding cochineal lakes--an observation which
applies to _Roman Lake_, _Venetian Lake_, and many others; none of
which, however beautiful or reputed, is entitled to the character of
stability either in hue, shade, or tint.
75. DRAGON'S BLOOD
Is a resin brought from the East Indies. It is of a warm
semi-transparent, rather dull red colour, which is deepened by impure
air, and darkened by light. There are two or three sorts, but that in
drops is the best. White lead soon destroys it, and in oil it dries with
extreme difficulty. It is sometimes used to colour varnishes and
lackers, being soluble in oils and alcohol. Although it has been
recommended as a pigment, dragon's blood does not merit the attention of
the artist.
76. INDIAN LAKE,
Likewise called _Lac Lake_. This is obtained from the lac or lacca of
India, a resinous secretion which seems to depend upon the puncture of a
small insect--_coccus ficus_--made for the sake of depositing its ova on
the branches of several plants, found in Siam, Assam, and Bengal. The
twigs soon become encrusted with a mammelated substance of a red colour
more or less deep, nearly transparent, hard, and having a brilliant
conchoidal fracture. The roughly-prepared coating is imported in two
forms, called lac-lake and lac-dye, which contain about 50 per cent of
colouring matter, combined with more or less resin, and with earthy
matters, consisting chiefly of carbonate and sulphate of lime and
silica.
Indian lake is rich, transparent, and deep,--less brilliant and more
durable than the colours of cochineal, but inferior in both respects to
those of madder. Used thickly or in strong glazing, as a shadow colour,
it is of great body and much permanence; but in thin glazing it changes
and flies, as it also does in tint with white lead. In the properties of
drying, &c., it resembles other lakes. The pigment may be dispensed with
in favour of madder lake and madder brown, whose combinations serve for
every purpose to which it can be applied, and are stable.
Lac appears to be the lake which has stood best in old pictures, and was
probably employed by the Venetians, who had the trade of India when
painting flourished at Venice.
MADDER LAKES.
Public-domain text, read in full here on John Shaqi.
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