in minute proportion with cobalt or French blue and white, tender aërial grays. Being cheaper than formerly, vermilion is not so much adulterated as it once was; although, even now, brickdust, orpiment, &c. sometimes sophisticate it. The knavish practices to which the pigment has been subjected, have acquired it an ill-fame both with authors and artists. Vermilion has been charged with fading in the light, and with being blackened by impure air; but it was the custom to crimson the colour by means of lake, or tone it to a scarlet hue by red lead. With pigments as with persons, evil communications corrupt good manners--a motto that might be written with advantage on every palette. 90. SCARLET VERMILION Resembles the preceding in all respects, except in being more scarlet in its tint, and washing better; advantages which render it more useful when the tone is required to be very bright and pure. At one time, the Dutch alone in Europe possessed the secret of giving to vermilion a rich scarlet colour. 91. CHINESE VERMILION, Or _Carmine Vermilion_, partakes of a crimson hue, and is adapted, mixed with white, for the rose and lilac-tints of some complexions. Like other vermilions, however, the colour needs much nicety of management; and it must not be attempted to further enrich it by admixture of cochineal lakes. Those colours, as we have remarked, cannot safely be brought into contact with vermilion, either compounded or as a glaze. The reds of madder should be substituted for them. 92. EXTRACT OF VERMILION, A somewhat curious name for a metallic colour, was a peculiar preparation of the author, possessing in its time certain advantages over other vermilions, and especially distinguished by a more scarlet hue. Now, however, extract of vermilion and scarlet vermilion are synonymous terms. 93. ORANGE VERMILION