Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
Previous to the year 1856 the colouring matters derived from coal-tar
were practically unknown. Until then, that black evil-smelling substance
was looked upon as almost worthless; but gradually the unsightly grub
emerged into a beautiful butterfly, clothed first in mauve and next in
magenta. After its long winter of neglect, there sprung from coal-tar
the most vivid and varied hues, like flowers from the earth at spring.
At a touch of the fairy wand of science, the waste land became a garden
of tropic tints, and colour succeeded colour, until the whole gamut had
been gone through. Never was transformation more dazzling or more
complete. The once despised refuse was now a valued commercial
product--indeed a trade in itself. Perfectly fascinated by the study,
chemists threw themselves heart and soul into coal-tar, and coal-tar
colours were to be seen everywhere.
It were beside our purpose to enter into the various stages through
which coal has to pass to become colour. Enough to state that to the
introduction of gas-light we are indebted for the acquisition of
coal-tar colours, the starting point for the production of mauve,
magenta, &c., being the manufacture of coal-gas. From the destructive
distillation of coal, coal-tar oil results; and from this are obtained
the products which yield the colours in question. Among these products
may be mentioned aniline, rosaniline, napthaline, chinoline, carbolic
acid, picric acid, &c., with their derivatives.
Of the fifty-one compounds furnished by the distillation of coal,
perhaps the most popularly associated with coal-tar colours is aniline,
to which we will therefore confine ourselves. Discovered in 1826, this
body was formerly prepared from indigo--in Spanish, _anil_, whence the
name; but is now produced on a larger scale from benzol, a coal-tar
product. As the source of mauve and magenta, aniline must be considered
the parent of coal-tar colours generally. Little was known of it at one
time except that on being mixed with a solution of chloride of lime
there was formed a splendid purple liquid, which immediately gave place
to a dingy reddish precipitate. From the investigation of this simple
fact, however, by Mr. W. Perkin, there was created a new and important
branch of chemical industry--the manufacture of coal-tar colours. The
violet mauve led the way, followed by the red magenta, the blue azuline,
the yellow phosphine, the green emeraldine, the orange aurine, by
purple, and brown, and black. Such were the hues, with many intermediate
tints and shades, which one reaction brought forth. The world rubbed its
eyes with astonishment; and truly it seemed almost as wonderful to
produce the colours of the rainbow from a lump of coal, as to extract
sunshine from cucumbers.
Public-domain text, read in full here on John Shaqi.
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