Field's Chromatography: or Treatise on Colours and Pigments as Used by ArtistsField, George
Science
Field's Chromatography: or Treatise on Colours and Pigments as Used by Artists
Field, George
Color; Colors; Painting -- Technique
Beckmann is fully convinced that the _cyanus_ of Theophrastus and the
_coeruleum_ of Pliny were a blue copper earth. However that may be, in
these days both names signify cobalt compounds, coeruleum being a
stannate of cobalt, and cyanine a mixture of cobalt and Prussian blue.
Unlike the former, cyanine, being composed of two old colours, can lay
no claim to originality. In the fourth chapter it was observed, "it is
quite possible for the artist to multiply his pigments unnecessarily.
Colours are sometimes brought out under new names which have no claim to
be regarded as new colours, being, indeed, mere mixtures. Compound
pigments like these may most frequently be dispensed with, in favour of
hues and tints composed extemporaneously of original colours upon the
palette." Whether these remarks are applicable to cyanine or not is a
question for artists to decide: in our opinion, with so many semi-stable
original pigments, the introduction of semi-stable compounds is to be
deprecated. Cyanine is a rich, deep, transparent blue, but its richness
and depth, as well as to a great extent its transparency, depend upon
Prussian blue, which is not strictly stable. Hence the peculiar
properties of cyanine remain unchanged only so long as the Prussian blue
itself, the pigment losing its colour by degrees on exposure to air and
light, and gradually assuming the tint of the paler but more permanent
cobalt. A mixture, be it remembered, necessarily partakes of the
qualities of its constituents, and if one of these be fugitive, the
compound cannot preserve its original hue.
Within the last few years, a compound similar to cyanine has appeared,
under the name of _Leitch's Blue_.
127. INDIGO,
or _Indian Blue_, was known to the ancients under the name of _Indicum_,
whence its present appellation. In modern Europe, it first came into
extensive use in Italy; but about the middle of the sixteenth century,
the Dutch began to import and employ it in considerable quantity.
Present in the woad plant, which is a native of Great Britain, indigo is
chiefly derived from a genus of leguminous plants called _Indigofera_,
found in India, Africa, and America. The colouring matter of these is
wholly in the cellular tissue of the leaves, as a secretion or juice;
not, however, in the blue state in which one is accustomed to see
indigo, but as a colourless substance, which continues white only so
long as the tissue of the leaf remains perfect: when this is by any
means destroyed, oxygen is absorbed from the atmosphere, and the
principle becomes blue. The best indigo is so light as to swim upon
water, but the commercial article seldom contains more than 50 per cent.
of blue colouring matter or true indigo, the remainder consisting of
either accidental or intentional impurities.
Public-domain text, read in full here on John Shaqi.
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