Let me add also that all this wonderful culture has entirely
developed in the second half of the nineteenth century. Before that,
it was quite primitive. But now the Paris gardener not only defies
the soil--he would grow the same crops on an asphalt pavement--he
defies climate. His walls, which are built to reflect light and
to protect the wall-trees from the northern winds, his wall-tree
shades and glass protectors, his frames and _pépinières_ have made
a real garden, a rich Southern garden, out of the suburbs of Paris.
He has given to Paris the “two degrees less of latitude” after
which a French scientific writer was longing; he supplies his city
with mountains of grapes and fruit at any season; and in the early
spring he inundates and perfumes it with flowers. But he does not
only grow articles of luxury. The culture of plain vegetables on a
large scale is spreading every year; and the results are so good
that there are now practical _maraîchers_ who venture to maintain
that if all the food, animal and vegetable, necessary for 4,500,000
inhabitants of the departments of Seine and Seine-et-Oise had to be
grown on their own territory (3,250 square miles), it could be grown
without resorting to any other methods of culture than those already
in use--methods already tested on a large scale and proved to be
successful.
* * * * *
And yet the Paris gardener is not our ideal of an agriculturist. In
the painful work of civilisation he has shown us the way to follow;
but the ideal of modern civilisation is elsewhere. He toils, with
but a short interruption, from three in the morning till late in the
night. He knows no leisure; he has no time to live the life of a
human being; the commonwealth does not exist for him; his world is
his garden, more than his family. He cannot be our ideal; neither
he nor his system of agriculture. Our ambition is, that he should
produce even _more_ than he does with _less_ labour, and should enjoy
all the joys of human life. And this is fully possible.
Public-domain text, read in full here on John Shaqi.
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