Fifteen Years Among the Top-Knots; Or, Life in KoreaUnderwood, Lillias H. (Lillias Horton)
Religion
Fifteen Years Among the Top-Knots; Or, Life in Korea
Underwood, Lillias H. (Lillias Horton)
Korea -- Description and travel; Missions -- Korea
After long and patient waiting, without result, no promises kept or
reforms instituted, and on the contrary, the bad officials who had
been put out of office again reinstated, the people assembled again
one month later at Chong No (the great thoroughfare) to renew their
demands. The police were then called up by their chief and told to go
to Chong No, and regardless of consequences draw their swords and put
to death all of the unarmed multitude who would not disperse. Almost to
a man, the police began throwing off their official badges, saying they
were one with the people, and absolutely refusing to obey such orders.
The soldiers were then called out, large bodies of troops stationed in
the main thoroughfares, and the crowds dispersed at the point of the
bayonet.
The Independents then asserted it must be bad officials, and not
the king, who were thus oppressing them, and that their petitions
could never have reached his majesty. They, therefore, according to
long-established custom with petitions for royal favors, all convened
in front of the palace. Thousands of men sat there quietly, night and
day, for fourteen days waiting to be heard.
It was a thrilling and impressive sight. There was nothing laughable
about those rows of silent, patient, determined citizens. Many had
their food brought to them, some had little booths or tents where they
prepared meals or slept, while others watched and waited, a few went
away to take food, only to return as speedily as possible. The people
had come to the palace to stay, until an answer could be had from the
king.
After the Independents had been camped for some days thus in front of
the palace, the “_Pusaings_,” or “Peddlers Guild,” gathered and camped
in another part of the city, with the avowed intention of attacking
them.
Public-domain text, read in full here on John Shaqi.
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