Fifteen years of a dancer's life : $b With some account of her distinguished friendsFuller, Loie
General
Fifteen years of a dancer's life : $b With some account of her distinguished friends
Fuller, Loie
Dancers -- United States -- Biography; Fuller, Loie, 1862-1928
There was complete wretchedness, frightful wretchedness, irreparable
wretchedness. And yet our little lad sang while he trotted behind our
carriage, just as his father whistled as he swept the snow.
Is not misery the school, the sadly sovereign school, of philosophy?
XVIII
HOW I DISCOVERED HANAKO
Everything that comes from Japan has always interested me intensely.
Consequently it is easy to understand with what pleasure I came into
relationship with Sada Yacco, and why I did not hesitate to assume
financial responsibility for her performances when she decided to come
to Europe with her whole company.
Sada Yacco had brought with her a troupe of thirty people. These
thirty cost me more than ninety of another nationality would have
done; for apart from everything that I was obliged to do to entertain
them, I had constantly to go down on my knees to secure permission
to attach to each train that carried them an enormous car laden with
Japanese delicacies, rice, salted fish, mushrooms and preserved
turnips--delicacies were necessary to support the existence of my
thirty Japanese, including Sada Yacco herself. During one whole season
I paid the railway companies 375,000 francs for transportation, but
that cost me much less than to pay all the debts I should have been
obliged to assume from Lisbon to St. Petersburg if I had decided to
send my Japanese home.
I tried for a long time to get my money back by transporting my
Nipponese and their viands up and down the earth, but, weary of the
struggle, I finally assembled another troupe, which was as good as the
first one and which was willing to travel without a cargo of rice and
salted fish.
“Business is business” I am well aware. I decided, therefore, to endure
bravely the losses I had incurred, and I was thinking of quite another
subject when fortune appeared to smile on me again.
In London there was a Japanese troupe looking for an engagement. The
actors came to see me. They made some ridiculous claims and I sent
them away. But as they did not find an engagement, we came to an
understanding, and I found an impresario for them, who took them to
Copenhagen.
I went to Denmark, too, and I expected to look after the affairs of
these Japanese and attend to my own business as well.
When they arrived at Copenhagen I saw the whole troupe for the first
time. They all came to greet me at my hotel and played some piece or
other of their own invention.
Public-domain text, read in full here on John Shaqi.
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