Fifteen years of a dancer's life : $b With some account of her distinguished friendsFuller, Loie
General
Fifteen years of a dancer's life : $b With some account of her distinguished friends
Fuller, Loie
Dancers -- United States -- Biography; Fuller, Loie, 1862-1928
He opened it smiling, and showed me the contents.
I had fraudulently brought in a bag of uncut rubies.
I treated the Roumanian as a cheat and told him that if he did not
make the matter right with the customs I should hand him over to the
authorities. Smiling all the while he promised that, since I took the
affair to heart, he would go and make his peace, and he left.
I never saw him or his rubies again, it is needless to say.
I believe that from this time forward they have been seeking me in vain
to charge me with smuggling a package through the customs-house.
XXII
GAB
For eight years Gab and I have lived together on terms of the greatest
intimacy, like two sisters. Gab is much younger than I and regards me
with deep affection.
Often I look at her curiously. She seems to read what is in my face and
replies to my mute interrogation.
“You cannot understand me. You are Saxon and I am Latin.”
When I survey her I find myself thinking as she thinks, and I wonder
if there exists a way of comprehending that we Anglo-Saxons do not
possess. Gab is deeply serious. She has long, black eyes which seem to
slumber perpetually. When she walks, despite her youth, she proceeds
with slow and protracted steps, which give you an impression that she
must be of a serious and meditative nature.
When I became acquainted with her she was living in a dark little
apartment, furnished in Hindu style, where in her black velvet costume
she looked like some Byzantine princess. Jean Aicard, the poet, said
one day that her voice is of velvet, her skin and locks are of velvet,
her eyes are of velvet and her name ought to be _Velours_. If one
could compare her to a living creature a boa constrictor would be most
appropriate, for her movements are like those of a snake. There is
nothing sinuous, nothing rampant about them, but the _ensemble_ of her
motions suggests the suppleness of the young adder.
I knew Gab for at least two years before it entered into my head
that she was fond of me. She was always so calm, so silent, so
undemonstrative, so unlike any other human being that only a
supernatural personality, it seemed, would ever be able to understand
her.
Her eyes and her hair are just alike, deep black and very brilliant.
In her presence people never know for certain whether she is looking
at them or not. Yet nothing about them escapes her, and through her
half-closed eyes she penetrates to the very depths of their souls. She
is neither tall nor slight, neither plump nor thin. Her skin is like
alabaster, her abundant locks are parted in the middle and brought
together in a knot behind the head, just as our grandmothers did their
hair. Her teeth are small, regular and white as pearls. Her nose is
straight and graceful. Her face is full and her head is so large that
she never finds quite hair enough to dress it with.
Public-domain text, read in full here on John Shaqi.
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