A PLAY BY MRS. HAVELOCK ELLIS
[SCENE: _Interior of a cottage kitchen in a Cornish fishing
village. The walls are distempered a pale blue; the ceiling wooden
and beamed. Middle of back wall, a kitchen-range where fire is
burning. At back R. is a door opening into an inner room. At back
L. small cupboards. At side L. is a large kitchen-table laid for
tea under a window facing sea. The floor is red brick. On
mantelpiece, white china dogs, clock, copper candlesticks,
tea-caddy, stirrups, and bits. On walls, family framed
photographs, religious framed pictures. Below table is a door
leading into street. Behind door, roller with hanging towel. Usual
kitchen paraphernalia, chairs, pots and pans, etc. Cat basket with
straw to R. of range. At back R. is a wooden settle with good
upright sides. Joe Pengilly is wiping his face and hands, having
just come in from the pump outside. He sighs and glances uneasily
at Kezia, who has her back turned to him, and is frying mackerel
at the stove. He rolls down his sleeves slowly and watches his
wife uneasily. He is dressed as a laborer--corduroy trousers,
hob-nailed boots, blue-and-white shirt, open throat. He takes down
a sleeved waistcoat from a peg behind the door and puts it on. He
is a slight man with thin light hair, gentle in manner, but with a
strong keen face. Kezia is a little taller than Joe--slender and
graceful, with a clean cotton dress fitting well to her figure; a
clean apron, well-dressed and tidy hair; good-looking and
energetic. Joe smiles to himself and crosses his arms and shuffles
his feet as he looks towards Kezia. Kezia turns round suddenly and
looks at him sideways, the cooking-fork in one hand and the handle
of the frying-pan in the other. Joe sits down at table._]
KEZIA. Why didn't thee speak?
JOE. Nothin' to say, my dear.
KEZIA. Thee's not much company, for sure.
[_Joe laughs and leans his arms on the table as he looks at Kezia;
his face beams as he watches her landing the fish from the
bubbling fat to a dish. She puts some on a plate in front of Joe,
and pours out tea in a large cup. She suddenly looks at him as he
begins picking off the tail of his mackerel with his fingers._]
KEZIA. Cain't thee answer?
JOE. To what?
KEZIA [_snappily_]. Why, to me, of course.
[_Joe takes a long drink of tea and gazes at her over his cup._]
JOE. Thee'rt a great beauty, Kezia, sure enough!
[_He puts the cup down and goes on picking his fish with the
fingers of one hand, while the other holds bread and butter._]
KEZIA. There you are again; always either grumblin' or jeerin' at me.
JOE. I'm not doin' neither, woman. I'm tryin' for to make up for
thrawtin' of you this mornin' over they soaked crusties as I gave the
cat and ruined the nice clean floor.
Public-domain text, read in full here on John Shaqi.
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