MICHAEL MISKELL [_throwing pillow_]. You tyrant! You big bully you!
MIKE MCINERNEY [_throwing pillow and seizing mug_]. Take this so, you
stabbing ruffian you!
[_They throw all within their reach at one another, mugs, prayer
books, pipes, etc._]
[_Curtain._]
LOUISE
A PLAY
BY J. H. SPEENHOFF
TRANSLATED FROM THE DUTCH BY A. V. C. P. HUIZINGA AND PIERRE LOVING.
Acting rights reserved by Pierre Loving.
All rights reserved.
PERSONS
LOUISE.
VAN DER ELST [_Notary_].
VENNEMA [_Louise's Father_].
SOPHIE [_Serving Maid_].
Applications for permissions to produce LOUISE must be addressed to
Pierre Loving, 240 W. 4.
LOUISE
A PLAY BY J. H. SPEENHOFF
[SCENE: _A large fashionably appointed room with few decorations
on the walls. The latter are papered in yellow with large black
lilies. To the right, a tall broad window with heavy brown
curtains. To the left, an old gold harp with a little footstool.
Behind, to the right, a door with brown portières, affording a
view of a vestibule and banister. To the left, down front, a broad
couch with black head cushions. Next to it the end of a heavy
broad oaken table, with the side turned toward the couch. Behind,
the back wall has an open chimney with carved wood and ornaments
on it. Beside the chimney, on both sides, are two large
comfortable chairs and two others by the table and window
respectively. On the table are the remains of breakfast: fruit
glasses and two empty champagne bottles_.
_As the curtain rises Louise is discovered lying on the couch with
her feet extended toward the audience. She lies quietly and gazes
blankly in the distance. Closer scrutiny reveals that she is in
the last stage of intoxication. On the whole, it is rather a
lady-like inebriety and expresses itself now and again by way of a
heavy sigh, looseness of limb, a languid flutter of the eyelids
and a disposition to be humorous. It is about three in the
afternoon. As for the tone of the room, there are a lot of
yellows, blacks and browns; the light is quite subdued. Soon after
the rise of the curtain, Louise begins slowly and dreamily to hum
a melody. She stops for a while, gazes blankly around and starts
humming again. Then she raises herself, crosses her arms on the
tables and rests her head on them. Her hair is loosely
arranged--or disarranged. Her dressing gown is black and white._
_A bell is rung downstairs. Louise does not seem to hear it.
Another ting-a-ling. You can hear the maid going downstairs. The
door opens and shuts. Two pairs of feet are heard climbing the
stairs. The maid parts the portières, shows Van der Elst in and
points Louise out to him, meanwhile remaining discreetly behind
the portières._
Public-domain text, read in full here on John Shaqi.
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