GERALD. Mr. Brett, I repeat that that revolver is mine. It would be a
serious breach of good manners if you used it without my consent, a
social solecism of which I believe you, as a friend of Miss Fife's, to
be absolutely incapable. Still, as the instrument happens to be in your
hand, you may use it--but not on yourself. Have the goodness, sir, to
aim at me. I could not permit myself to stand in the way of another's
happiness, as I should do if I continued to exist. At the same time I
have conscientious objections to suicide. You will therefore do me a
service by aiming straight. Above all things, don't hit Miss Fife. I
merely mention it because I perceive that you are unaccustomed to the
use of firearms. [_Folds his arms._]
JAMES. Rosamund, _do_ you love me?
ROSAMUND. My Jim!
JAMES [_deeply moved_]. The possessive pronoun convinces me that you do.
[_Smiling blandly._] Sir, I will grant your most reasonable demand.
[_Aims at Gerald._]
ROSAMUND [_half shrieking_]. I don't love you if you shoot Gerald.
JAMES. But, my dear, this is irrational. He has asked me to shoot him,
and I have as good as promised to do so.
ROSAMUND [_entreating_]. James, in two hours we are to be married....
Think of the complications.
GERALD. Married! To-day! Then I withdraw my request.
JAMES. Yes; perhaps it will be as well. [_Lowers revolver._]
GERALD. I have never yet knowingly asked a friend, even an acquaintance,
to shoot me on his wedding-day, and I will not begin now. Moreover, now
I come to think of it, the revolver wasn't loaded. Mr. Brett, I
inadvertently put you in a ridiculous position. I apologize.
JAMES. I accept the apology. [_The general tension slackens. Both the
men begin to whistle gently, in the effort after unconcern._]
ROSAMUND. Jim, will you oblige me by putting that revolver down
somewhere. I know it isn't loaded; but so many people have been killed
by guns that weren't loaded that I should feel safer.... [_He puts it
down on the table._] Thank you!
JAMES [_picking up letter_]. By the way, here's that letter that came
just now. Aren't you going to open it? The writing seems to me to be
something like Lottie Dickinson's.
ROSAMUND [_taking the letter_]. It isn't Lottie's; it's her sister's.
[_Stares at envelope._] I know what it is. I _know_ what it is. Lottie
is ill, or dead, or something, and can't come and be a witness at the
wedding. I'm sure it's that. Now, if she's dead we can't _be_ married
to-day; it wouldn't be decent. And it's frightfully unlucky to have a
wedding postponed. Oh, but there isn't a black border on the envelope,
so she can't be _dead_. And yet perhaps it was so sudden they hadn't
time to buy mourning stationery! This is the result of your coming here
this morning. I felt sure something would happen. Didn't I tell you so?
JAMES. No, you didn't, my dear. But why don't you open the letter?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account