Great Britain -- Social life and customs -- 19th century
flooded with a prodigious quantity of trash. One anonymous ‘popular
poet,’ whose name will never now be recovered, received 100_l._ for his
last poem from a publisher who thought, no doubt, that the ‘boom’
was going to last. Of this popular poet’s work he sold exactly fifty
copies. Another, a ‘humorous’ bard, who also received a large sum for
his immortal poem, showed in the unhappy publisher’s books no more
than eighteen copies sold. This was too ridiculous, and from that day
to this the trade side of poetry has remained under a cloud. That of
novelist has, fortunately for some, been redeemed from contempt by the
enormous success of Dickens, Thackeray, George Eliot, and by the solid,
though substantial, success of the lesser lights. Poets have now to
pay for the publication of their own works, but novelists--some of
them--command a price; those, namely, who do not have to pay for the
production of their works.
[Illustration: SIR WALTER SCOTT]
The popular taste, thus cloyed with novels and poetry, turned to books
on popular science, on statistics, on health, and on travel. Barry
Cornwall’s ‘Life of Kean,’ Campbell’s ‘Life of Siddons,’ the Lives
of Sale, Sir Thomas Picton, and Lord Exmouth, for example, were all
well received. So Ross’s ‘Arctic Seas,’ Lamartine’s ‘Pilgrimage,’
Macfarlane’s ‘Travels in the East,’ Holman’s ‘Round the World,’ and
Quin’s ‘Voyage down the Danube,’ all commanded a sale of 1,000 copies
each at least. Works of religion, of course, always succeed, if they
are written with due regard to the religious leaning of the moment. It
shows how religious fashions change when we find that the copyright
of the works of Robert Hall realised 4,000_l._ and that of Charles
Simeon’s books 5,000_l._; while of the Rev. Alexander Fletcher’s ‘Book
of Family Devotions,’ published at 24_s._, 2,000 copies were sold on
the day of publication. I dare say the same thing would happen again
to-day if another Mr. Fletcher were to hit upon another happy thought
in the way of a religious book.
[Illustration: REGINA’S MAIDS OF HONOUR.]
Public-domain text, read in full here on John Shaqi.
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