There have been many more who found the sacrifice of personal happiness--of all that made life livable, or one's country worth fighting for--infinitely harder than the most apprehensive imagination could have pictured. There have been mothers and widows for whom a single grave, or the appearance of one name on the missing list, has turned the whole conflict into an idiot's tale. There have been many such; but there have apparently not been enough to deflect by a hair's breadth the subtle current of public sentiment; unless it is truer, as it is infinitely more inspiring, to suppose that, of this company of blinded baffled sufferers, almost all have had the strength to hide their despair and to say of the great national effort which has lost most of its meaning to them: "Though it slay me, yet will I trust in it." That is probably the finest triumph of the tone of France: that its myriad fiery currents flow from so many hearts made insensible by suffering, that so many dead hands feed its undying lamp. This does not in the least imply that resignation is the prevailing note in the tone of France. The attitude of the French people, after fourteen months of trial, is not one of submission to unparalleled calamity. It is one of exaltation, energy, the hot resolve to dominate the disaster. In all classes the feeling is the same: every word and every act is based on the resolute ignoring of any alternative to victory. The French people no more think of a compromise than people would think of facing a flood or an earthquake with a white flag. Two questions are likely to be put to any observer of the struggle who risks such assertions. What, one may be asked, are the proofs of this national tone? And what conditions and qualities seem to minister to it?