_Intelligence!_ is the first and instantaneous answer. Many French people seem unaware of this. They are sincerely persuaded that the curbing of their critical activity has been one of the most important and useful results of the war. One is told that, in a spirit of patriotism, this fault-finding people has learned not to find fault. Nothing could be more untrue. The French, when they have a grievance, do not air it in the _Times:_ their forum is the cafe and not the newspaper. But in the cafe they are talking as freely as ever, discriminating as keenly and judging as passionately. The difference is that the very exercise of their intelligence on a problem larger and more difficult than any they have hitherto faced has freed them from the dominion of most of the prejudices, catch-words and conventions that directed opinion before the war. Then their intelligence ran in fixed channels; now it has overflowed its banks. This release has produced an immediate readjusting of all the elements of national life. In great trials a race is tested by its values; and the war has shown the world what are the real values of France. Never for an instant has this people, so expert in the great art of living, imagined that life consisted in being alive. Enamoured of pleasure and beauty, dwelling freely and frankly in the present, they have yet kept their sense of larger meanings, have understood life to be made up of many things past and to come, of renunciation as well as satisfaction, of traditions as well as experiments, of dying as much as of living. Never have they considered life as a thing to be cherished in itself, apart from its reactions and its relations. Intelligence first, then, has helped France to be what she is; and next, perhaps, one of its corollaries, _expression_. The French are the first to laugh at themselves for running to words: they seem to regard their gift for expression as a weakness, a possible deterrent to action. The last year has not confirmed that view. It has rather shown that eloquence is a supplementary weapon. By "eloquence" I naturally do not mean public speaking, nor yet the rhetorical writing too often associated with the word. Rhetoric is the dressing-up of conventional sentiment, eloquence the fearless expression of real emotion. And this gift of the fearless expression of emotion--fearless, that is, of ridicule, or of indifference in the hearer--has been an inestimable strength to France. It is a sign of the high average of French intelligence that feeling well-worded can stir and uplift it; that "words" are not half shamefacedly regarded as something separate from, and extraneous to, emotion, or even as a mere vent for it, but as actually animating and forming it. Every additional faculty for exteriorizing states of feeling, giving them a face and a language, is a moral as well as an artistic asset, and Goethe was never wiser than when he wrote: "A god gave me the voice to speak my pain."