Fighting with French: A Tale of the New ArmyStrang, Herbert
History
Fighting with French: A Tale of the New Army
Strang, Herbert
World War, 1914-1918 -- France -- Juvenile fiction
"Except Obernai’s house," said Kenneth, looking round over the village.
Most of the roofs were considerably lower than the spot on which they
stood. Only the attics of the Alsatian philanthropist’s house rose
above that level. That large building in its extensive grounds was
about sixty yards to their left. There was a light in one of the lower
rooms, where Captain Adams and several other officers were billeted: the
rest was dark.
"It’s not very likely, after that spy business, that any of Obernai’s
servants is in German pay," Kenneth continued. "Still I’ll tell the
captain what we have seen."
He made his report to Captain Adams next morning. Later in the day the
captain said to him:
"There’s nothing in that matter, Amory. I asked Monsieur Obernai whether
his servants were trustworthy, and he assured me that he had had them
for years, and could answer for them all. I didn’t tell him why I had
made the enquiry; it’s best to keep these things as quiet as possible;
we don’t want to make people uneasy. I’ve no doubt the signals are
directed to some place farther away on our left, and the colonel is
sending word along the front, asking them to keep a look-out."
Nothing more was heard of the signalling for a long time.
When they returned to the trenches, their position was somewhat altered.
The Rutlands were moved a little to the right, and Kennedy’s platoon
occupied a portion of the trench which had formerly been held by another
platoon.
Kenneth was making himself comfortable in a dug-out with Harry and
Ginger when he picked up, among the various articles left by its former
occupants, a piece of ruled music paper dotted with notes.
"A relic of your friend Stoneway, Ginger," he said with a laugh. "He’s
the only musician in the company."
"Is he, by George!" cried Harry. "You forget I was in the school choir,
old chap."
"So you were! I remember how the mothers used to admire your pretty
little cherub face when you let off your songs on the platform. ’Isn’t
he sweet, mother?’ I heard a girl say once. You remember how we rotted
you."
"Yes, confound it! I was jolly glad when my voice broke, and I got out
of all that. I haven’t sung a note since; if I try, my voice is like a
nutmeg grater."
"You’ve lost your cherubic mug too, old man. But look here; whistle
over this tune; let’s hear what it is."
Harry took the paper, scanned it for a moment or two, then said:
"It’s no tune at all. The notes go up and down all anyhow."
He whistled a few notes.
"Oh, for any sake stop it!" implored Ginger. "It’s Stoneway’s
exercises, by the sound of it. Call that music! It’s enough to make a
cat ill."
"I’ll give it back to Stoneway next time I see him," said Harry.
"Tear it up," said Ginger. "If he hasn’t got it, perhaps he can’t----"
A shout interrupted him.
"Stand to! Here they come!"
Public-domain text, read in full here on John Shaqi.
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