Fighting with French: A Tale of the New ArmyStrang, Herbert
History
Fighting with French: A Tale of the New Army
Strang, Herbert
World War, 1914-1918 -- France -- Juvenile fiction
But it was for his musical skill that the colonel had selected him for
the piece of work on which he was now engaged. It was very elementary
work for a man who could play the Waldstein sonata and read a score by
Strauss; any school girl could have done it; but even the greatest
philosopher has at times to perform the simple operation of washing his
face, and the lieutenant need not have felt that he was demeaning
himself by a task so much below his powers. For what Lieutenant Axel
von Schwank was doing was simply to transcribe into musical notation, on
a sheet of ruled music paper, the two lines of German with which the
colonel had supplied him.
Surely that is difficult, you say? He has only seven letters, A to G,
to employ, representing the seven notes of the scale, and the German
alphabet has twenty-six. What about the v’s, and w’s, and z’s in which
the German language is so much superior to the French? But in the first
place, remember that the German musician calls H the note which the less
accomplished Englishman calls B, and in the second place that the range
of most instruments, including the German flute, extends beyond a single
octave.
So that if the lieutenant writes this
[Illustration: [musical note]]
for A, there is nothing to prevent him writing
[Illustration: [musical note]]
for I, and by means of the sharps and flats he can even arrive at Z,
without exceeding the compass of that dulcet instrument.
He was busy with his transcription when he heard a scuffling of feet and
the clank of swords in the opposite room. His fellow officers were
hurrying to the street door. The colonel put his head in.
"We are called to the trenches," he said. "Go on with that, and follow
us when you have done."
The lieutenant had sprung up, turned round and saluted. When his
superior was gone, he sat down and set to work again. After all, he
probably reflected, music has charms: it would preserve him for a few
minutes more from the bullets of those hateful pigs the English.
The house was in silence.
A little while after the officers had departed, a strange, unshaven,
unkempt face peered round the edge of the door, which the colonel had
left open. It was a lined and somewhat careworn face; the eyes were
bright and wild; the hair, very rough and tangled, was red. The face
moved slowly forward; inch by inch a dirty, tattered khaki uniform
showed itself; and the rays of the lamp on the table glinted on the
blade of a long carving knife, held in the man’s right hand. He wore no
boots, and his stockings made no sound as he tiptoed across the room.
[Illustration: THE INTRUDER IN KHAKI]
Public-domain text, read in full here on John Shaqi.
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