Figures of Earth: A Comedy of AppearancesCabell, James Branch
Science
Figures of Earth: A Comedy of Appearances
Cabell, James Branch
Fantasy fiction; Wit and humor
"This is good hearing, for I have always been one of Raymond Bérenger's
enemies, and all such of his friends as I have encountered I have
slain."
"Doubtless you have your reasons", said Manuel, and would have ridden
by.
But the other cried furiously, "Turn, you tall fool! Turn, cowardly
betrayer of women!"
He came upon Manuel like a whirlwind, and Manuel had no choice in the
matter. So they fought, and presently Manuel brought the vermilion
knight to the ground, and, dismounting, killed him. It was noticeable
that from the death-wound came no blood, but only a flowing of very fine
black sand, out of which scrambled and hastily scampered away a small
vermilion-colored mouse.
Then Manuel said, "I think that this must be the peculiarly irrational
part of the forest, to which I was directed, and I wonder what may have
been this scarlet squabbler's grievance against King Raymond Bérenger?"
Nobody answered, so Manuel remounted, and rode on.
Count Manuel skirted the Wolflake, and came to a hut, painted gray, that
stood clear of the ground, upon the bones of four great birds' feet.
Upon the four corners of the hunt were carved severally the figures of a
lion, a dragon, a cockatrice and an adder, to proclaim the miseries of
carnal and intellectual sin, and of pride, and of death.
Here Manuel tethered his horse to a holm-oak. He raised both arms,
facing the East.
"Do you now speed me!" cried Manuel, "ye thirty Barami! O all ye powers
of accumulated merit, O most high masters of Almsgiving, of Morality, of
Relinquishment, of Wisdom, of Fortitude, of Patience, of Truth, of
Determination, of Charity, and of Equanimity! do all you aid me in my
encounter with the Misery of earth!"
He piously crossed himself, and went into the hut. Inside, the walls
were adorned with very old-looking frescoes that were equally innocent
of perspective and reticence: the floor was of tessellated bronze. In
each corner Manuel found, set upright, a many-storied umbrella of the
kind used for sacred purposes in the East: each of these had a silver
handle, and was worked in nine colors. But most important of all, so
Manuel had been told, was the pumpkin which stood opposite to the
doorway.
Manuel kindled a fire, and prepared the proper kind of soup: and at
sunset he went to the window of the hut, and cried out three times that
supper was ready.
One answered him, "I am coming."
Manuel waited. There was now no sound in the forest: even the few birds
not yet gone south, that had been chirping of the day's adventures, were
hushed on a sudden, and the breeze died in the tree-tops. Inside the hut
Manuel lighted his four candles, and he disposed of one under each
umbrella in the prescribed manner. His footsteps on the bronze flooring,
and the rustling of his garments as he went about the hut doing what was
requisite, were surprisingly sharp and distinct noises in a vast silence
and in an illimitable loneliness.
Then said a thin little voice, "Manuel, open the door!"
Public-domain text, read in full here on John Shaqi.
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