He cast down the flageolet, and touched the breast of the image with the ancient formal gestures of the old Tuyla mystery, and he sealed the mouth of the image with a kiss, so that the spirit of Niafer was imprisoned in the image which Manuel had made. Under his lips the lips which had been Misery's cried, "I love." And Niafer rose, a living girl just such as Manuel had remembered for more than a whole year: but with that kiss all memories of paradise and all the traits of angelhood departed from her. "Well, well, dear snip," said Manuel, the first thing of all, "now it is certainly a comfort to have you back again." Niafer, even in the rapture of her happiness, found this an unimpassioned greeting from one who had gone to unusual lengths to recover her companionship. Staring, she saw that Manuel had all the marks of a man in middle life, and spoke as became appearances. For it was at the price of his youth that Manuel had recovered the woman whom his youth desired: and Misery had subtly evened matters by awarding an aging man the woman for whose sake a lad had fearlessly served Misery. There was no longer any such lad, for the conquered had destroyed the conqueror. Then, after a moment's consideration of this tall gray stranger, Niafer also looked graver and older. Niafer asked for a mirror: and Manuel had none. "Now but certainly I must know at once just how faithfully you have remembered me," says Niafer. He led the way into the naked and desolate November forest, and they came to the steel-colored Wolflake hard by the gray hut: and Niafer found she was limping, for Manuel had not got her legs quite right, so that for the rest of her second life she was lame. Then Niafer gazed for a minute, or it might be for two minutes, at her reflection in the deep cold waters of the Wolflake. "Is this as near as you have come to remembering me, my dearest!" she said, dejectedly, as she looked down at Manuel's notion of her face. For the appearance which Niafer now wore she found to be very little like that which Niafer remembered as having been hers, in days wherein she had been tolerably familiar with the Lady Gisèle's mirrors; and it was a grief to Niafer to see how utterly the dearest dead go out of mind in no long while. "I have forgotten not one line or curve of your features," says Manuel, stoutly, "in all these months, nor in any of these last days that have passed as years. And when my love spurred me to make your image, Niafer, my love loaned me unwonted cunning. Even by ordinary, they tell me, I have some skill at making images: and while not for a moment would I seem to boast of that skill, and not for worlds would I annoy you by repeating any of the complimentary things which have been said about my images,--by persons somewhat more appreciative, my dear, of the toil and care that goes to work of this sort,--I certainly think that in this instance nobody has fair reason to complain."