More likely an atheist than a priest, this mutation of the
ageless confidence artist is nonetheless the direct spiritual
descendent of Rasputin, the raving maniac who governed
Russia until his own execution by Russian noblemen and
patriots.
They are to be found in all countries in transition. Wild
and insidious weeds, the outcome of wayward pollination
by mutated capitalism. They prey on their victims, at first
acquiring their confidence and love, then penetrating their
political, social and financial structures almost as a virus
would: stealthily and treacherously. By the time their
quarry wakes up to its infection and subjugation - it is
already too late. By then, the invader will have become
part of the invaded or its master, either through blackmail
or via tempting subornation.
This region of the CEE and the Balkans provides for
fertile grounds. It is a Petrie dish upon which cultures of
corruption and scandalous conduct are fermented. The
typical exploiter of these vulnerabilities is a foreigner.
Things foreign are held in awe and adulation by a
populace so down trodden and made to feel inferior in
every way, not least by foreign tutors and advisors. The
craving to be loved, this gnawing urge to be accepted, to
be a member of the club, to be distinguished from one's
former neighbours - are irresistible. The modern Rasputin
doles out this unconditional acceptance, this all
encompassing affinity, the echoes of avuncularity. In
doing so, he evokes in the recipients such warmth, such
relief, such fervour and reciprocity - that he becomes an
idol, a symbol of a paradise long lost, a golden braid.
Having thus completed the first phase of his meticulous
attack - he moves on to the second chapter in this book of
body snatching.
Public-domain text, read in full here on John Shaqi.
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