Besides the Savonarola tracts the miscellaneous religious treatises illustrated with one or more woodcuts are very numerous. In some cases outside models were still sought. One of the most important of these books is the _Meditatione sopra la Passione_ attributed to S. Bonaventura, of which two undated editions were issued, one with eight cuts, the other with twelve, three of the additional cuts in the second edition--the Entry into Jerusalem, Christ before Pilate, and Procession to Calvary (see Plate XVI)--being exceptionally fine. The earlier designer probably had the Venetian edition of 1489 before him, but used it quite freely. Two of the three cuts in the 1494 Florentine edition of the _Libro delli commandamenti di Dio_ of Marco del Monte S. Maria are improved copies of those in the Venetian edition of 1486. The third cut, which appears also in the same author's _Tabula della Salute_ (also of 1494), representing the Monte della Pieta, is copied on a reduced scale from a large copper engraving attributed to Baccio Baldini, of which an example is in the Print Room of the British Museum. Of the thirty-four cuts in Cardinal Capranica's _Arte del benmorire_, eleven are imitated from the well-known series in the German block-books. [Illustration: XVI. FLORENCE, MISCOMINI, C. 1495 BONAVENTURA. MEDITATIONE. THE PROCESSION TO CALVARY] For the _Rappresentazioni_ or miracle-plays in honour of various saints originality was more imperative, and numerous cuts were designed, only a few of which have come down to us in editions of the fifteenth century, most being known as they survive in reprints of the second half of the sixteenth. Our example (Plate XVII) is from an undated edition of _La Festa di San Giovanni_, in which, as on many other titlepages, an angel is shown above the title-cut as the speaker of the Prologue. Purely secular literature in the shape of _Novelle_ was no doubt plentiful, despite the influence of Savonarola, but most of it has perished, thumbed to pieces by too eager readers. A volume of _Novelle_ at the University Library, Erlangen, is illustrated with delightful cuts, and others survive here and there in different libraries. Of more pretentious quartos Angelo Politiano's _La Giostra di Giuliano di Medici_ (first edition undated, second 1513) is very finely illustrated, and Petrarch's _Trionfi_ (1499) has good versions of the usual six subjects.