In the Horae of the group we have been describing the subjects of the larger cuts became fairly well settled, in accordance with the normal contents of the prayer book. For the Kalendar there is the figure of a man with an indication of the parts of his body presided over by the different planets: for the sequence of the Gospels of the Passion, sometimes a Crucifixion, sometimes a picture of S. John; for the Hours of the Blessed Virgin, the Annunciation, Visitation, Nativity, Shepherds, Magi, Circumcision, Massacre of the Innocents or Flight into Egypt, and Assumption of the Blessed Virgin; for the Hours of the Cross, a Crucifixion; for the Hours of the Holy Spirit, His Descent at Pentecost; for the Penitential Psalms, David's fall (Bathsheba bathing or the death of Uriah) or repentance; for the Office of the Dead, either a Funeral, Dives and Lazarus, or the three Gallants and three Skeletons (_les trois vifs et trois morts_); for the Suffrages, small pictures of various saints. Any edition might have one or more additional cuts with less usual subjects, but those named occur in almost all. Passing on, we come now to Verard's countermove to Du Pre's group, Horae measuring 6 inches or a little under by about 3(1/2). Editions of these were issued in April, 1488-9, and in January, February, and April of the following year. The last of these, completed 10 April, 1489-90, I wrongly described, in an article in Vol. III of _Bibliographica_, as having a titlepage bearing the words _Les figures de la Bible_. It has such a titlepage in the copy in the British Museum, but I have now woke up to the fact that it is a modern fabrication, added either by an artful bookseller or an artless owner. In these Horae the borders are made up of four pieces, one of which extends along most of the outer and lower margins, and shows children wrestling with each other, or playing with hobbies or go-carts. On 10 July, 1493, these are found in a Horae issued by Laurens Philippe. Verard could the better afford to part with them, since in August, 1490, perhaps earlier, he had substituted much larger borders, the subjects in which seem imitated from those of Du Pre's metal-cuts, the printed page now measuring about 8 X 5 inches, and thus winning for them the title Grandes Heures, by which they are generally known (see Plate XX). The large cuts, of which, though not all appear in every edition, thereillustrate the following subjects:--