Illustrated books -- Bibliography; Illustration of books; Printing -- History
Against the pretty bindings and vignettes and the popular books to which
they were applied little or no opposition was raised, and they continued
to be issued till the taste for them died out about 1580. But against
all the scholarly work of the French presses the leaders of the Church
took up an attitude of unrelenting hostility. Foremost in this
opposition, regretful that their predecessors had introduced printing
into France, were the theologians of the Sorbonne, who forbade the study
of Hebrew as dangerous and likely to lead to heresy, and looked with
eyes almost as unfriendly on that of Greek. In 1546 (just after the
iniquitous campaign against the Vaudois) Etienne Dolet was hanged on a
charge of atheism, and his body cut down and burnt amid a pile of his
books. In 1550, despite his position as a royal printer, Robert
Estienne, who had just completed his fine folio edition of the Greek
Testament, was obliged to seek safety by flying to Geneva, and a
generation later Jean de Tournes the younger, of Lyon, was obliged to
follow his example. The kings of France and their advisers at this
period were determined to be rid of both Huguenots and Freethinkers at
all costs, and French scholarship and French printing were both the
recipients of blows from which it took them some generations to recover.
When Robert Estienne fled to Geneva, his brother, the physician,
Charles, was allowed to succeed to his office at Paris, and he in turn
was followed by a younger Robert, who died in 1571. Meanwhile Robert I
had taken with him a set of matrices of the royal Greek types, and with
these and other founts printed at Geneva until his death in 1559. His
son, Henri Estienne II, then took over the business, but was of too
restless and roving a disposition to conduct it with success. As a
scholar he was even greater than his father, excelling in Greek as
Robert had in Latin, and producing in 1572 a Greek dictionary
(_Thesaurus Graecae Linguae_) which became as famous as the Latin one
which Robert had published forty years earlier. Henri Estienne the
younger died in 1598, but the Estienne tradition was kept up by his son
Paul (1566-1627) and grandson Antoine (1592-1674), the latter bringing
back into the family the office of royal printer at Paris, and printing
an edition of the Septuagint.
Public-domain text, read in full here on John Shaqi.
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